a.k.a. "The Oscar Messenger"

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Going to the library in the Snow

Going to the library in the Snow

I went out today to return something overdue to the NY Public Library and wham! Got hit in the face immediately with ANOTHER snow flurry, coming down fast and furiously out of nowhere. A simple trip suddenly gotten more complicated by this unexpected(by me) blast of whipping snow flakes.

It didn’t SEEM like it was snowy when I left my place and went downstairs, but by then, everything had changed, and it was a full smack of wet frost in the face!

The snow was swirling around suddenly furiously in a way that reminded me of when I experienced snow flakes IN JUNE when I was in Iceland a number of years back. Even in Summer, Iceland was what we might call wintry. Suddenly nostalgic for Reykjavik, I plunged onward my tracks leading me inevitably once again to the cross-town bus.

These flurries weren’t a full-on storm like I had experienced on Tuesday, which was really intense. These snow crystals were more charming, decorative even. Changing the harsh midtown landscape into something absorbing to contemplate as every twist of the wind amongst the skyscrapers blew flakes this way and that. Random. Willy nilly. Dancing white confetti.

And then there were the LIONS. Standing or rather perched majestically in front of the main library building. Unchanging always, but now snow covered and delightful to contemplate in their suddenly changed whiteness. Those two lionine scupltures are the symbol of New York City to many, and I’ve seen them there since childhood.

I couldn’t remember when the first time I’d seen them was. Probably on one of my mother’s early jaunts into Manhattan to educate and edify us in the ’50s. Was it to see the original run of Walt Disney’s “Sleeping Beauty”? Which must have been my first introduction to Times Square.

I remember my mother pointing out the Camel’s cigarette sign that blew O-shaped smoke, and wondered why she was suddenly admiring something that she always said was bad, which was smoking…

Or were we any nearer when she took us to see the Radio City Music Hall’s Christmas show with the Rockettes? The movie being another Disney one “Babes in Toyland” with Annette Funicello, the former Mouseketeer. I was just enchanted. Seeing it recently I was appauled, but that day it was all glorious, as was my introduction to the Radio City Music Hall, which overwhelmed and enchanted me.

Another unchanging symbol of New York. As are those steadfast Library Lions, now draped royally in white. May they always reign over their Broadway domain.

“Hands on a Hard Body” a Warm-hearted Musical Hits Home

I really did enjoy the recently opened “Hands on a Hard Body” the surprising, innovative musical hit that just opened on Broadway starring one of my favorite Bway actor/singers Hunter Foster. Yes, THAT Hunter Foster, who is the very, very talented older brother of the much more famous Sutton Foster, she who has now two Tonys and Hunter doesn’t even have one!

Hunter does however have a Tony nomination for “Little Shop of Horrors.”

Perhaps the super-duper “Hands on a Hard Body” will change all that. Certainly, it COULD. Hunter has the role of his career here playing the much-older-than-he-is, bad-ass, red-neck lead Benny Perkins.

Based on a much-respected but little-seen real-life documentary of the same name, “Hands on a Hard Body” traces the journeys of its’ dozen or so working class Texan characters, who have accepted the daunting challenge of standing with their hands on the hard body of a brand spanking new, gleaming, red as rose Nissan pick-up truck. Whoever can last the longest, in this rather unbelievable, but true competition wins the truck. And hopefully a bigger piece of the American pie, than all of them presently have.

Yes, a cast of have-nots, singing their Country and Western hearts out, to the tune of our sluggish economy and the stagnant social mobility that used be the American Dream.

Contempo, yes, to the max. But I liked that. And I REALLY liked all these characters, and their elucidation musically by Trey Anatasio (of “Phish”) and Amanda Green. And literarily by Pultizer-Prize winning librettist Doug Wright. Who wrote “I Am My Own Wife”. I liked this MUCH better than “Wife”, and was so pleased that there were relatable characters of all ages, sizes and genders singing their hillbilly hearts out.

The way the Musical Numbers are listed in the maddening program, without the names of the characters or actors who are singing them, it’s hard to single out just who sang what. But I found much to my delight(and hopefully yours, too) that every song was a winner.

Hunter Foster really dominates here and I wouldn’t be surprised if he did receive a Tony and/or Drama Desk nomination for his memorable meanie, whose big number was certainly “Hunt with the Big Dogs”, which ended the first act with a BANG! But he also sang many other terrific tunes, too.

Top-tapping music and amazingly interesting choreography by Sergio Trujillo kept “Hard Body” (and the red truck, too!) moving so much that you never noticed its’ seemingly static premise. Kudos are due, too, to its’ sharp director Neil Pepe.

Particularly so during Hawaiian belter Keala Settle’s roof-rasing “Joy of the Lord” which had the larger than life Ms. Settle pounding away on the truck until it turned it into a percussive instrument! Tony/Drama Desk and more nominations are CERTAINLY headed her way for Best Featured Actress in a Musical.

Giving her a run for her awards’ money in that category will be Dale Soules, whose Texas rasp, made me feel like she had just wandered in from the Grand Ole Opry, instead of an extensive career in theater.Her big number was “It’s a Fix!”

Also registering powerfully were Jon Rua as born-in-the-USA hispanic kid with a dream who wants to win the truck, so he can sell it and he can go to school and be a veterinarian. His soulful “Born in Loredo” is marvelously moving and mesmerizing. As is the Iraq war vet with PTSS, David Larsen,in his “Alone with Me” solo that also brings down the house. As do they all.

I love that a Broadway musical takes risks like “Hands on a Hard-Body” does. And reaches and fulfills them. I hope audiences find it as enjoyable and moving as I did!

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