a.k.a. "The Oscar Messenger"

Posts tagged ‘Boring’

Racists at New York Film Critics get a taste of their own medicine

There’s something about the esteemed New York Film Critics Circle that just breeds racists incidents, like the one that happened last night, or the night before when Black Director Steve McQueen was supposedly heckled by an African-American Film Critics Circle member, who was seated WAAAY in the back, but was nevertheless overheard as has been widely reported.

I read Scott Feinberg’s balanced analysis and reporting at http://www.thehollywoodreporter.com on this latest brouhaha over “12 Years a Slave”, the masterpiece out there that is causing as much of a ruckus as “Wolf of Wall Street.” In fact, this incident is so loaded that it’s pre-emptively absorbed all the controversy that has been hounding “Wolf”. So the discussion of the awards now surrounds this horrifying Incident, and the critic in question, whose name I’m withholding, just denied to Scott Feinberg, and maybe to others, that this ever happened.

Racial slurs and the F bomb were supposedly heard all hurled at Steve McQueen. Maybe they weren’t meant to be heard by all. I wasn’t there, so I’ll give the critic-in-trouble the benefit of the doubt, though thousands wouldn’t.

It’s a sad moment once again for the New York Film Critics Circle. They started off the season by showing their true WHITE colors, by voting for that sub-par semi-moronic comedy “American Hustle” Best Picture by a vote or two over the instant classic “12 Years a Slave.” They repeated this behavior in Best Actor where Chiwetel Ejiofor to “12 Years”lost to A VERY WHITE man, Robert Redford! Who last night bored everyone silly with his acceptance speech for Best Actor. You can see a horrendous video over at http://www.goldderby.com Tedious, self-serving, entitled, and you really wanted him to shut the front door.

But I digress.

The NYFCC also closed out Michael Fassbender and Lupita Nyong’O of “12 Years a Slave”,choosing MORE WHITE PEOPLE like Jared Leto and Jennifer Lawrence as the their Best Supporting Actor and Actress.

Lawrence had the good sense not to show up, and sent a funny note.

I knew, I just KNEW, that the NYFCC was going to reap the whirlwind for shutting out “12 Years a Slave” in every category, except Best Director. But then THIS incident that I referenced above ^ had to happen!

This isn’t over yet. Their credibility on this issue – race, has severely damaged their reputation as the leading critical group they once were.

And the last laugh of this, is that it’s made Steve McQueen MUCH more sympathetic in everyone’s eyes and is going to cause him to  get MORE votes and  win MORE awards, in a very tight race. Just you watch.

He was just nominated for the DGA Award today. REALLY an honor I have to say.

McQueen acted like he didn’t hear the F-bomb and the racial slurs. Class Act. He didn’t react or acknowledge it according to Feinberg.

Sometimes I think there is really something very dark behind the awards season, and this incident certainly illustrates that maybe indeed there is.

TIFF ads names to Supp.Oscar Race & “Lincoln” trailer sounds WRONG!

TIFF is SUCH a leveler. And always a surprise,too. Coming out of “Quartet,” one of the hottest tickets in town, was not only a VERY major Oscar chance at Best Actress for Dame Maggie Smith, but also for her supporting co-star, the other female member of the titular quartet of ex-Opera singers, Pauline Collins.

Collins dithers delightfully, and has alllll the audiences’ sympathy in the big, soon-to-be-infamous “Flower Scene” with Dame Maggie. I will say no more.It’s a massive spoiler. Once that scene happened I knew “Oscar Nomination for Pauline in Supporting.”

She’s been nominated before, too. For Best Actress, a number of years back, for “Shirley Valentine” and so she’s no stranger to Oscar.

A very solid supporting turn is done by Willliam H. Macy in “The Sessions” as a conflicted Catholic priest, who has to listen to all of the FOR SURE ROCK SOLID BEST ACTOR NOMINEE John Hawkes’ awkward sexual confesstions. It’s comic, but he’s very good (he always is) and I don’t think he’s even been nominated before. Shame, Academy, shame…Unless it was for “Fargo” many moons ago…

Jude Law in “Anna Karenina” is a shoo-in for a Supp. Actor nod, and maybe even a win, as his almost unrecognizable turn as Anna’s dull-as-paint husband Karenin. He shaved his hairline back and wears tiny little specatacles that transform his face entirely. And his performance as a stiff, repressed beaureaucrat ,who is boring  his wife Anna to tears, never bores the audience. No mean feat.

Then we have the always nominatable Phillp Seymour Hoffman, in what is really a lead, in “The Master.” The Venice Film Festival jury gave both Hoffmand and co-star Joaquin Phoenix a joint Best Actor Award.

Also finding herself in the Supporting category may be a surprised and always naked Helen Hunt, who thought she was playing a lead in “The Sessions.”Oscar Goddess Sasha Stone always points out how the Academy always awards female nudity and no one, believe me, NO ONE has ever shown so much of herself onscreen as Helen Hunt does as a sex “worker” in this terrific tearjerker about a man in an iron lung (Hawkes) who wants to finally experience sex before he dies. He does. And he does. And that’s the plot of “The Seesions.”

And from earlier in the year, before the essential TIFF-winnowing, we have both Dame Maggie Smith(yes, HER again) and her Downtown Abbey co-star Penelope Wilton in the box-office/senior citizen smash “Best Exotic Marigold Hotel”both being giving campaigns from Fox Seachlight in Supporting. And so is Bill Nighy for that film.

Don’t know whether they’ve dropped Dwight Henry off their campaign roster for this excellent non-actor’s first ever performances as Qu’venzhane Wallis, dead beat dad in “Beasts of the Southern Wild.”

And last but not least, let’s not overlook Michael Pena’s fine, fine work in the police actioner “End of Watch.” He could be this year’s Demian Bechir.

I happened to watch the just-dropped “Lincoln” trailer today. Once, first, without sound, and then again tonight with it. And at first I thought all those early Oscar predictions of Tom O’Neil’s crew at “Gold Derby” nevermind “The Gurus o’ Gold”‘ were right on…then WITH the sound, everybody’s voices sounded WRONG. Esp. Daniel Day Lewis as Lincoln! He looks great but sounds like a baseball player! Brad Pitt in “Moneyball!”

If it looks like they’re hiding DDL in the trailer, they ARE!

Let us not forget “War Horse” and the great trailer that promised so much….and then gave us…well, not that much.

Just like “Munich”! Spielberg’s next-to-last Oscar foray.

Uh-oh!

Snoring and pretentious and over-hyped. Here we go again!

I thought we just went through this last year!

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