Yes, dear readers, dear cineastes, it’s only a little less than a week ago that we were all going cra-zee with anticipation of the March of the Li’l Golden Guys into the hands of this year’s winners.
And so what has happened since? Eddie Redmayne has emerged as a major international superstar with his win for Best Actor in “The Theory of Everything.” And it couldn’t have happened to a nicer guy.
This triumph at age 33 makes him one of the youngest winners for Best Actor ever. And the two mature ladies who won Patricia Arquette and Julianne Moore, who are in their 40s and early 50s respectively struck a blow for actresses of an “age certaine” as the French say. This year Eddie was the ingenue!
Arquette used her acceptance speech to create a new image for herself as a firebrand, a feminist activist, with her rabble-rousing call-to-arms for equal pay for women everywhere. Moore revealed something we did not know. That Richard Glatzer one of the two gay directors of “Still Alice” did NOT have early-on-set Alzheimers like she’d been saying all season, but ALS the debilitating syndrome that astrophysicist Stephen Hawking is afflicted with. And that neither he nor his partner Wash Westmoreland could attend that night “because Richard was so ill.”
It seems like if you played someone with a ravaging disease like Moore and Redmayne both did so flawlessly this year, you WILL win a Oscar.
Lady Gaga completely re-invented HER career by singing what I initially thought was a completely unnecessary tribute to the 50th Anniversary of “The Sound of Music.” Revealing stunning legit vocal chops that who knew she had? She brought down the house and opened up a new career. Gaga on Broadway, anyone? It could happen.
Neil Patrick Harris, I’m sorry to say, ENDED his career as an Oscar host. But he looked great in his underpants, and certainly was the only Oscar host to ever do THAT. But the complaints were many that he just wasn’t funny enough. He had dreadful, unfunny writers.
Neil showed that he had what it takes as a serious dramatic actor in “Gone Girl” a worthy film the Academy completely ignored in every single category. Well, Neil you’ve always got the Tonys…
And “Birdman” won four Oscars. Best Picture, Best Director, Best Screenplay and Best Cinematography, which will lead me forever into head-scratching land, with the eternal,unanswerable question, WHY?
And so now poor little “Boyhood” goes into the history books as one of the most unfortunate Oscar pass-overs ever. Only Patricia Arquette won for that movie.
Looking back to my initial review, when I saw it first this summer, I accurately predicted this would happen. I’ll have to re-post it. I was right. But it was better than “Birdman” which I thought was un-reviewable. So I didn’t. Review it, I mean.
And now less than a week, later comes the exciting news that Eddie Redmayne flew back to London to start shooting “The Danish Girl” were he plays the first transgender, Lili Elbe in 1930’s Denmark under the direction of “The King’s Speech” Oscar winner Tom Hooper. Picture below `I’ve posted this shot before, but I’m posting it again, because there is something absolutely HYPNOTIC about Eddie’s eyes. And that’s an incredible, perfectly styled wig. He lost three Stone, which is something like 36 lbs. And yes, I think this means he’ll be back at the Dolby again NEXT February with another nomination for a transformative role.This picture just nails it.
It about a Danish husband and wife, both painters, who one day when the wife’s(Alicia Vikander, also in a star-making role) asks her husband (Redmayne) if he would mind posing in her model’s female clothing, one day when her painting subject doesn’t turn up. And he finds he just can’t stop the music…
Vikander was the beautiful young, blonde ingenue in “Anna Karenina” with Keira Knightley. And in those days, the late-20s, early 1930s, sex change operations were unheard of and very, very dangerous, bordering on butchery.And what were female hormones like in those days? The journey was fraught with peril.
And today we have Bianca Jenner, who just seems to be flying through it all with nary a care in the world. Bianca was formerly Bruce Jenner, the step-father, and now mother on “Keeping Up With the Kardassians.”
“The Danish Girl” I think will show every single step of this process that we now call “transitioning” or “Sexual Re-assignment Surgery.” The part of Lili Elbe requires ANOTHER tour-de-force, bravura turn from Redmayne, and we all know now that he’s totally capable of it.
“The Grand Budapest Hotel” won FOUR Oscars for Production Design, Best Costumes, Best Hair and Make-Up and Best Score. Alexander Desplat FINALLY taking home an Oscar and Wes Anderson FINALLY being recognized big time by the Academy after being ignored(except in Screenplay nominations) for the bulk of his long career.
And I can’t even begin to imagine how bummed and depressed director/writer Richard Linklater of “Boyhood” must feel. And no Oscar for Michael Keaton for losing to Redmayne for Best Actor. The “Birdman” film flew into the history with the caveat, oh, but it lost Best Actor for Michael Keaton…
Why did Keaton lose?
Was he away too long from film? And when he came back he was playing basically a very apt version of himself, a situation he would never acknowledge in interviews.
Tom O’Neil, the grand-daddy of all of us Oscarologists, said that also Keaton was known in the industry as “difficult” and did not do the huge full-court(ing) and charming of the press that Redmayne did. Actually, Redmayne took a leaf from the glorious Marion Cotillard’s “How to Win an Oscar” book, and basically camped out in L.A. for a month between the announcement of the nominations up to right before the win, when he had to return to London to start rehearsing and shooting “The Danish Girl.” And he won.
As Tom O’Neil said over in one of his video “slug-fests” at http://www.goldderby.com, “You’ve got to kiss babies.”
And the beat goes on…