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Posts tagged ‘Bellatrix La Strange’

The Year’s 10 Best – Analysis of “I Love You, Phillip Morris” & the Enduring Influence of Paul Corrigan

Phew! Now I have the time to go into a little bit more deeply the whys and the wherefores and the WTF element(to some, perhaps) of my selection of the Year’s Ten Best Films.

As someone who sees films ALL THE TIME, Day in and Day Out, nearly every day of my waking life…Films that really last and really stay with you, films that are a total, immersive cinematic experience that affects one so deeply that it becomes part of your life as well as part of the year’s discussion of Best Films…well, that’s why they are all here…And why we are all here…Because we love film…

Yes, I do have a propensity for foreign films and independent films. I stay away from the big studio blockbusters and franchises, if I can help it. Unless I CAN’T help it. Like as you all know, I reluctantly found myself at “Harry Pooter 7 1/2” and I’m glad that I did~ ONLY to see Helena Bonham-Carter’s THIRD terrific performance of the year, as a witch with the name that I just can’t stop saying “Bellatrix La Strange”. A scary ten-minute turn that could help her get her long overdue Oscar…The other two films are “Alice in Wonderland” and of course, “The King’s Speech.”

But I digress…

Number Ten ALMOST was “Fish Tank” a film I loved tremendously. A British Indie. Gritty, grimy, grinding poverty depicted in a council flat setting in London’s East End where I, as you all know, lived for quite a number of years in the ’70s& ’80s. Andrea Arnold, the writer/director, and Michael Fassbender, the rising star of stars, acting alongside a completely inexperienced non-actress, Katie Jarvis, was really a wild, unexpected ride. I couldn’t believe Jarvis was NOT a pro, so profoundly compelling was her portrayal of teenage Cockney torment, when her mom brings a new boyfriend (Fassbender) home. You’ll remember Fassbender from “Inglorious Basterds” as the British officer in that wacky, unforgettable card game.

I guess that would be my number 11, if I was going to extend this arbitrary listing slightly, but I just wanted to give the stunning “Fish Tank” an honorable mention.

I made “I Love You, Phillip Morris” my number  ten, because I found myself laughing out loud and also crying inside and totally immersed in the preposterous, gay yarn, that is evidently ALL TRUE, about a homosexual con man extraordinaire(Jim Carrey is his best EVAH) and his finding true love, in jail, natch, with a sweet blond gay guy, Phillip Morris. Yes, that’s his real name…played to a touching fare-thee-well by the unrecognizable Ewan McGregor. I was told not to review it at the time, but I guess I’m raving about it now. It’s in theaters and playing very robustly AND it was raved about by my critical colleagues! Good! Great!

And I do have to mention that as much as I was enjoying the film, when the end credits rolled, I was blown away all over again, by the film’s dedication to my late friend Paul Corrigan, who evidently was the impactful teacher of these young filmmakers, Glenn Ficarra and John Requa, both straight. At Pratt. In Brooklyn. Paul died tragically of AIDS a number of years ago.

And I thought the book was closed forever on his life. But no! His great gay spirit keeps jumping up from beyond to assert Paul’s powerful, playful personality once again. It was uncanny how much I thought the Jim Carrey character did, and still does remind me of Paul.

I wrote an Obit for him at the time that I wrote for “Lesbian and Gay New York.” It was all too brief, and didn’t give at all a taste of what Paul was really like. There was very little space. He went to Sarah Lawrence where he was a classmate of Bob Plunket, Susan Haskins(of “Theater Talk”) and Amy Robinson, producer-extraordinaire and also Harvey Keitel’s girl-friend in “Mean Streets.”

I remember Paul first play, his first New York production of two one-acts called “Tan My Hide” and “Nancy’s Tragic Period.” At La Mama E.T.C. and they starred if memory serves Bob and Amy as Santa’s Elves, who were having to make leather gear for Santa, or something like that.

I remember Bob had the immortal(to my mind) lines, “Have you ever seen a dwarf come?”

“Little drizzle droplets.” 

 And I think Susan was Nancy in “Nancy’s Tragic Period” where she was a girl whose record player(yes, her RECORD PLAYER. That’s how long ago this was.) whose record player keeps telling her how to live her life and acting like a Greek Chorus…I could go on and on.

But I remember to this day the freshness of the writing and the humor and the direction, which I think Paul essayed himself.

But he did not continue with his playwriting.  I wish he had.

Years later I encountered him on a Manhattan street and he told me he was teaching Film at Pratt University, a school in Brooklyn that at the time was not known as a cinema studies center, by any means…

And I thought he was being disingenuous.

Then I met Susan Haskins, who was also a fellow teacher at Pratt. And she assured me that yes, Paul was teaching a very special cinema class.

And all these years later, “I Love You, Phillip Morris” bares testimony to the enduring quality of his teaching and his impact on his pupils.

More on numbers 9 to 1 of my Top Ten later…

“King’s Speech” Breaking Box-Office records!

I’m oh so happy to report that the brilliant, moving, unforgettable “King’s Speech” is breaking box-office records this holiday weekend in VERY limited release. Check out just how much, where et alia at www.indiewire.com The inimitable Scott Feinberg also talks about this and many other fabulous things at www.ScottFeinberg.com

He used to call it com.www.And the Winners Is…com

And he’s got an actual Academy member to write about everything Awardsworthy under the name of Deep Voice. It’s a member of the Writer’s Branch and is he cantakerous! But interesting. He thinks for example that “The Kids Are All Right” has got no nominations in its’ future, just Mark Ruffalo!(?!) And I agree that “The Social Network” doesn’t “make you care. It doesn’t move me.” But that nevertheless he’d nominate Justin Timberlake as Best Supporting Actor. That’s TWO nominations in that category, gone, from this guy, who can’t even vote for the Actors UNTIL they are nominated by the Actor’s Branch, come nomination announcing day. He can however nominate WRITERS in the two categories that the Academy has, Best Original Screenplay and Best Adapted Screenplay. EVERYone in all the Branches gets to nominate the Ten Best Pictures… but I digress…

Also this the coming Awards Avalanche week. Tomorrow night is the Gothams, where, probably “A Winter’s Bone” is going to clean up, and then later this week, on Thursday, the National Board of Review is set to announce its’ winners.

Update: It did. It got Best Feature and Best Ensemble, but no Jennifer Lawrence as Breakout Performer, which she was nominated for, but didn’t win. Does this help the film get into the Year’s Ten Best at the Oscars? Hmmm..(Sound of Oscar…thinking…) Hmmm….

The National Board of Review are a New York-based awards-giving group that has a LARGE portion of females in their membership, a rarity in this male-dominated business, believe it or not, and also many, many gay members. More so than most groups.

And judging by that, I’d say “The King’s Speech” is going to sweep. It’ll get Best Picture from them, and Colin Firth will win the first, but not the last of his many, many, much deserved awards that are going to be coming at him like, well, gangbusters. Mixed metaphor? But hey that’s what I do!

Helena Bonham-Carter should also score here where they consider a year’s work not just one performance like the Academy. So HBC should qualify for not just her shy, sly Queen Elizabeth in “The King’s Speech”, but also her mad Red Queen in “Alice in Wonderful” and her 15 min.(or less) turn as Bellatrix La Strange, the witchiest witch who witch there was more of in the latest “Harry Potter.” Now playing…

Best Supporting Actor…I think they are also going to go for Geoffrey Rush, here. And maybe also for Best Director, Tom Hooper. If they go for Hooper over David Fincher(who’s shooting the Milennium Trilogy in Sweden, and may not get back for the ceremonies in Jan. You wouldn’t think this would count against him, but the NBR wants all its’ winners present and accounted for. Yes, they do.)

Best Actress may very well be Natalie Portman, starting her awards march. She, along with Firth, well, the two of them are going to be seeing A LOT of each other as the awards season rolls out like a juggernaut over all our Oscar-filled lives…

Breakthrough Performance by an Actor could be the only award that “The Social Network” wins….Will they give it to New York native Jesse Irritatingberg? They like Native New Yorkers. So that’s what Natalie Portman, from Long Island, has going for her, too.

Or it could be someone else from “The Social Network” Even Justin Timberlake could score here.

I’d be very surprised if Jennifer Lawrence (who totally doesn’t deserve it) will find her week bracketed by awards. First from the Gothams on Monday as Best Breakthrough then by the NBR later this week. She’s got that blonde teenage mojo working…Whether I like it or not…And I don’t…

Update: She didn’t win the BreakOut/Breakthrough category tonight at the Gothams…and with all this hype, she certainly SHOULD have…but the NBR may fall for it…

Best Adapted Screenplay would be the first Aaron Sorkin win and start his line dance to the Podium at the Kodak.

And now they’ve just announced that Anne Hathaway and James Franco are gonna c0-host the Oscars!?!?! Sounds like a big mistake. Also this may eliminate BOTH of them from the race.

Personally, I LOVED “Love and Other Drugs” but it’s a zesty, sexy Rom Com, with a dash of Parksinson’s Disease thrown in…as an Oscar grabber… for Annie, which I don’t think it’s going to be. Rom Com’s almost NEVER rank with the Academy, especially in this crowded year for females!

And can Annie and Jimmy pull off hosting duties? I’m of the mind that yes, SHE can. Annie can do anything. Great inner resources as a performer. Comes from growing up with Mom as a actress and a gay brother. Talk about Drama!

But James is soooo laid back…I keep thinking of him in “Pineapple Express…

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