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Posts tagged ‘Austrian’

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Is Diane Kruger saying “Hello” to Oscar as She Kills in “Farewell, My Queen”?

German actress Diane Kruger absolutely KILLS as the doomed Monarch in “Farewell, My Queen” the hot new LESBIAN re-thinking of Marie Antoinette’s final days as the French revolution was about to engulf her. Here’s a wonderful interview with Diane and I hope that although she’s acting in French, the Academy will consider her for a nomination for Best Actress(she’s playing the title role, after all) or Supporting, since her handmaiden Lea Seydoux is really the central character of the film Seydoux, the gamine whom Owen Wilson ends up with at the end of “Midnight in Paris” also shines, but it is Kruger who speaks perfect English with an American accent yet. And whom the Academy is familiar with.

I think Best Actress is a wide-open category at this point. If the French get the ball rolling and choose it as their Best Foreign language selection, it could very well get a slew of nominations. For sure, Best Costumes. And Diane is the one who is most familiar to the Academy since she ALMOST got nominated for “Inglorious Basterds” playing a glamourous German actress/spy. She had the misfortune of splitting that film’s Supporting Actress vote with Melanie Laurent, who was also breaking out in that film as Shoshanna, the Jewish freedom fighter. Will she? Won’t she? We shall see…

In any case, it’s the perfect antidote to the summer overload of ComicBookBlockbusterSuperHero movies. I can barely tell them apart. I thought “The Avengers” was just plain BAD, and was sorry I coughed up the dough to see it. I felt robbed. And THAT crap makes $600 milllion?

But “Farewell, My Queen” is the only really wonderful Oscar-y movie that’s Opening in this Summer of Hell, where the temperatures in New York are hitting 100 degrees Every. Single. Day.

Oscar Gets “Amour”

Well, this certainly is news! Austria has decided that “Amour” is going to be its’ official submission to the Best Foreign Film race this coming Oscar season. Since it’s by a German director, who I LOVE, Michael Haneke, and maybe it’s German-Austrian financed although the two octogenarian leads,  who are winning raves, act in French, this makes “Amour” kosher. And definitely eligible for a Best Foreign Film nomination and perhaps win.

This is despite Jeffrey Wells at www.hollywood-elsewhere.com not liking a whole hell of a lot.

And to top that off Sony Pictures Classics is deciding to open it in Dec. RIGHT in the heat of the Oscar season. I know, I know. It’s freezing in New York at that time of year, and this is hardly your Christmas-y picture. But SPC, as I’ll now call them, are throwing down the Oscar gauntlet(is that a mixed metaphor?) going full court press with this one.

Although Michael Haneke only gives interviews in German, and the two stars are yes-for-real are in their 80s. But have Oscar buzz will travel. So we’ll be seeing them, Jean-Louis Trintignant and Emmanuelle Riva stateside around the holidays. Or at least I will be seeing them, I hope, in their press tour.

I love SPC’s taste in movies. Last year,  they had “Midnight in Paris” and while it got a bunch of nominations in many categories and won in Best Original Screenplay, they did not move any of the many wonderful performers in that movie from the sidelines to center stage. Like for instance, Corey Stoll as Hemingway, Marion Cotillard as the Muse of many centuries and Kathy Bates as Gertrude Stein. Not to mention Owen Wilson’s, astonishing lead performance and Rachel McAdams as his blonde bitch of a fiancée.

Although Owen did get a Golden Globe nomination in the Musical or Comedy category, he lost out to Jean Dujardin for “The Artist.” And who could’ve stopped THAT express train once it left the station???

I can’t stand Wes Anderson movies, so I only go to them, if dragged so I haven’t seen “Moonrise Kingdom” yet. But I guess I’ll have to at some point. I hate when straight men try to do camp. Which is basically what his great “Style” is. Stolen from the Homosexual Handbook. I ought to know. I helped write it back in The Day.

And tomorrow I’m actually going to see “Beasts of the Southern Wild.”  I’ll let you know if I think all the who-ha at Sundance and Cannes was justified.

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