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Posts tagged ‘August:Osage County’

Meryl Streep in SUPPORTING for “August”??? I don’t think so…

One of the wackiest things I’ve heard in ages is Meryl Streep being announced as going Supporting for “August:Osage County.” Her character Violet Westin is an award-magnet bravura tour-de-force kind of role.It’s clearly the lead. It won Deanna Dunagan, a Chicago actress who debuted the part on Broadway a Tony Award.

Her co-star Amy Morton was nominated for the role of Violet’s confrontational daughter, but lost to Dunagan at the Tonys. Julia Roberts is playing this difficult part in the movie version, and we all wish her well. And hope she outdoes and confounds expectations, as I think she will.

Putting Meryl in Supporting leaves Julia as a Best Actress likely nominee, as we’re talking about her chances, too, at this moment. And then Julia on her own could get all the “August:Osage” votes, the thinking most be. She and Meryl could split the vote were they BOTH put in this category, both in Best Actress.

Putting Meryl in Supporting then pits her AGAINST Oprah Winfrey for “Lee Daniels’The Butler”. Both are Weinstein films? WHAT is Harvey Weinstein thinking? He’s also got a pretty good shot with Octavia Spencer for “Fruitvale Station.” Sharon Stone is also a likely nominee as Linda Lovelace’s straight-laced mother in “Lovelace.” Those are ALLLLLL Harvey’s films!

Now, the Academy of Motion Pictures Arts and Sciences allows its’ members to nominate actors and actresses in whichever category it chooses to put them into. So like the year Kate Winslet won Best Actress for “The Reader” even though Harvey campaigned her in Supporting for that movie.

If you may remember, that year Kate W. won BOTH Best Actress and Best Supporting Actress at the Golden Globes, who do follow the studios dictates.

So I think this is all just publicity palaver to get people to talk about “August:Osage” and ALLLL the wonderful performances by women I’m sure it contains. I can’t wait to see it at the Toronto Film Festival in a few weeks.

I think the Academy will put Meryl in the lead, and Julia, too, if they both deserve to be their.

And WHY is this all happening? Fear of Cate Blanchett’s great “Blue Jasmine.”

“August: Osage” after Toronto is going underground and will not be seen again or screened until Thanksgiving. Harvey’s release plan EXACTLY for “The King’s Speech.” But this ploy is so outlandish, it may lead Academy voters to vote for none of the “Osage” actresses and is just handing the win over to Cate Blanchett. Or is it?

Stay tuned. Drama ensues.

Oscar Thoughts Pre-TIFF ~”August:Osage County” Out in Front

For those of you who MUST know what’s going on Oscarwise Pre-TIFF, it’s pretty clear to me. TIFF is absolutely essential to next year’s Oscar Winner. It is THEEE premiere Oscar launch pad, no question.

Last year, I remember being told there were TWO films I absolutely could not get into if I missed their Press & Industry or P&I screenings, which I
did. Those are the screenings, I, as an accredited journalist, are SUPPOSED to legitmately attend, and didn’t. I missed them both. They were “Argo” and “The Master” and of course, “Argo” won the Oscar.

That’s a pretty good indicator to me. And in recent years past, “The Artist” started there. And the year before that “The King’s Speech” which ended up winning the Audience Award there. That’s a pretty damn good average…and it continues to hold, I’m thinking.

All the major Oscar contenders are heading there “August:Osage County” main among them. And yes, it’s the Weinstein Co.AGAIN. It’s being shown there and only there before Thanksgiving screenings begin around its’ release date.

This is the classic pattern that both Weinstein winners TKS and TA followed exactly. To a “T” Why fix something that isn’t broken, thinks Harvey Weinstein, I’m so sure.

Sasha Stone posits at the always excellent www.awardsdaily.com that Telluride figures into this, too, but never having been there, I can’t say as surely as she can, who goes there every year now.

But she’s right in that even “The King’s Speech” started there. Not Toronto. It only preceeded it by a few days, but still. 

I’ll never forget future Oscar winning director Tom Hooper telling me the excitement he, Colin Firth and Geoffrey Rush all felt sitting together in the dark at Telluride and they’re sensing the audience’s excitement. By Toronto, it was totally clear to me that it had already won the race. And it did.

New York has had the dubious distinction of recent years in invariably opening the film that comes in SECOND.
“The Life of Pi”, “The Social Network”, “Lincoln”, “Hugo” and with Tom Hanks’ new vehcile “Capt. Phillips,” it looks like that my happen again. In fact, I think you can count on it.

The Industry Poo-Bahs have all decided that Toronto and TIFF are IT as far as Oscar is concerned and I bet every Oscar strategist out there will agree. Of course, Toronto is very risky. It can also sink a  film’s chances, too. It’s a risk you run, and it’s a brutal, competitive, bloody race, this Oscar dash to the finish line.

Which this year isn’t until MARCH btw. So it’s a long race this year too.

Having seen “August:Osage County” on the Broadway stage THREE times, I would place my bet on this pony, as Tom O’Neil, my idol, at www.goldderby.com would say.

I can tell you with surety though, that Harvey Weinstein will schedule an 8:45am press & industry screening at Toronto and that I will line up an hour early to get in. For “The King’s Speech” I remember getting up at 5:30AM to get to the inconveniently located theater on time. AND I was FIRST ON LINE! And the first one in  It was thrilling. And I’m betting I do it all over again for “August:Osage County.”

Cicely Tyson First Standing Ovation of the TONY night!

Jake Gyllenhaal gives Cicely Tyson the Tony for Best Actress in a Play for “A Trip to Bountiful” . A well-deserved award for a beautiful, moving performance. And the only standing ovation of the evening ensued. And she gave an appropriately beautiful and moving speech. “The thumbprint of all who have touched me…”

And then Jake the Great gave Best Actress in a Musical to Patina Miller for “Pippin” who unfortunately I didn’t see because she was out that night.

She SHOULD have won it for “Sister Act” two years ago, as I told her at the Drama Desk Nominee Cocktail Party which you can see at http://www.youtube.com/StephenHoltShow

I saw “Pippin” and enjoyed it immensely, especially Andrea Martin and the circus elements.
But Patina’s understudy, Stephanie Pope, was just AWFUL, so that part of the musical was M.I.A. Ben Vereen won a Tony and built a career on doing THAT part?!?

I wish I had seen Patina, whom I like personally immensely.

I admire Tracey Letts’ performance in “Who’s Afraid of Virginia Woolf?” but I didn’t expect him to be awarded for a role in a play that closed. “Virginia Woolf” won THREE big awards tonight. Best Director of a Play, Best Revival of a Play and now Best Actor.

This is probably a harbinger of more awards to come Oscartime when “August: Osage County” comes around starring Meryl Steep & Julia Roberts and produced by Harvey Weinstein.

Less than happy about Billy Porter of “KB” winning over Bertie Carvel for “Matilda.” I didn’t like his performance. Period.

And I’m REALLLLY upset about “Matilda” not winning Best Musical.That sort of ruined my night.

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