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Posts tagged ‘Audience Award’

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Oscar Afterwards’ ~ Sasha Stone & Jeff Wells Look Forward

Oscar Afterwards' ~ Sasha Stone & Jeff Wells Look Forward

It takes up something like six months of the year. From September when Toronto unfurls the usual winner, and they were right. “12 Years a Slave” was winning the minute it opened and it won the Audience Award there. Til March(this year) when the Awards are given out.

Then it’s time for the Oscar Afterwards period as I’m now calling it. The blah period when everything returns so much to normal, which usually means tons and tons of dreadful movies, that I return to Broadway with a vengeance and a thank god for the theatre.

People ask why I continue to ignore the Tribecca Film Festival, which is right next door, as it were, but I’m a proud Voting Member of the Drama Desk, and so for three months of the year, which is NOW, I turn to the stage.

Others, however, this year are looking ahead, WAAAAY far ahead to the Oscar race 2015. And Oscar Goddess Sasha Stone http://www.awardsdaily.com and Jeff Wells http://www.hollywood-elsewhere.com do this very entertainingly as always in a new Oscar podcast I just stumbled upon at Hollywood-Elsewhere.

I’ll summarize. I was surprised to see this as Sasha is usually averse to this sort of thing soooo far in advance. She says and I agree it’s bogus and full of possiblities that turn into pot-holes.And then there’s “How’s the Academy going to react?” She points out that “Who could’ve predicted they would totally turn their back on a great film like “Inside Llewyn Davis?” But Jeff ALWAYS has his Oscar Balloon up all the year long.

But everybody seems to be doing this this year and I can tell you why. Especially if you’re on the Internet as I am and they are, if you don’t talk about the Oscars, your hits drop. The Oscars as opposed to just plain movie-going enjoyment.

I can’t tell you the disparity between the hits I got on Oscar day and for a week or so after. And now…well, as I said, everything’s back to normal.

Spring is coming. And so Jeff’s thoughts, particularly, turn to “What’s Next?” From their whole conversation, which veers off their picks A LOT and onto other(interesting) talking points, the one film that jumped out at me was “Gone Girl.” This is the new David Fincher film based on the best-selling book, which Sasha particularly got excited about.

She certainly intrigued me. Starring in the title role is the beauteous Brit Rosamund Pike. Who I’ve had a guest on my show a couple of years back, and who impressed me as someone who was much more than people took her for when I interviewed her.

And I thought “Why doesn’t someone give this lovely, beautiful woman a role she can really shine in?” And it seems that David Fincher may be just the one to do just that.

Look what he did with Rooney Mara in “Girl with the Dragon Tattoo.” People criticized him for casting an unknown more or less in the iconic role of Lisbeth Salander, and she ended with an Oscar nomination, though the film was not nominated for Best Picture…

“Gone Girl” may suffer the same fate. I don’t want to give anything away. I really do hate the way Jeff spoils things for people. But Sasha made this film sound so tantalizing, I’ll just say I’m glad I haven’t read the book, because I want to be surprised.

It seems it’s a thriller, and Fincher always does well, very well with that. One of my favorite films of his was “Zodiac” in which Jake Gyllenhaal gave ANOTHER under-rated, but great performance. And no, “Zodiac” wasn’t nominated for an Oscar either.

The Academy gave “Girl with the Dragon Tattoo” an Oscar for Film Editing. It was a surprise. It’s like they wanted to give it SOMEthing.

Jeff was initially just dismissing “Gone Girl” saying “There won’t be much underneath it”, and Sasha just jumped all over him, and said “What? Wait a minute! It’s David Fincher!”

I really did like Rosamund Pike when I met her for “Barney’s Version” and could Fincher be the man to tap her untaped potential? Is there an Oscar Nomination in the beautiful Rosamund’s future?

As far as what’s coming up…it looks like another barren tent-pole summer of blockbusters. Not looking forward to that.

When Broadway is offering Bryan Cranston as LBJ in “All the Way” next week and also “Rocky: the Musical” directed by the extremely innovative Alex Timbers, well, I’m happy to be going to them both.

At this time of year as I’m waiting for Broadway to start, I am always glad I made the decision to keep going back to the theater.

Post-TIFF ~ SUDDENLY, So many predictions about “Silver Linings”! But TIFF isn’t the Academy, folks!

TIFF only ended on Sunday, but it’s Oscar after-effects ripple on. The announcement that “Silver Linings Playbook” won the prestigious People’s Choice Award sent Oscar pundits and Oscarologists  (is there any difference?) running for the hills. And ALLLL of them suddenly putting “SLP” in their #1 position, when this was hardly the case way back when, say, on SATURDAY!

The Oscar pick’em race turns on a dime, and it certainly just did. AND NOBODY was predicting Jennifer Lawrence would win Best Actress “out front by a mile” as Tom O’Neill put it in two podcasts ~ one which he did with Sasha Stone and Jeffrey Wells, who barely let him, the Granddaddy of all Oscar prognosticators barely get a word in edgewise! No really! But Tom was very good-humored about it.

He, who did not even get to TIFF this year. Sasha has never been. And of course, Jeff Wells was VERY MUCH there.As you’ll see when my terrific interview with him comes out shortly at http://www.youtube.com/StephenHoltShow.

Sasha, of course, is at http://www.awardsdaily.com and Jeffrey holds forth at http://www.hollywood-elsewhere.com

Jeff fell, as I did, and fell HARD, for “Anna Karenina”, and he was outraged, just outraged, as I was too, and still am, by Manohla Dargis’s dismissal of “Anna Karenina” as “a travesty,” and she also calls the divine Keira Knightley’s great performance “miscast. ” and what is soooo galling is that this is in the NYTIMES! Jeff was hopping mad about this. APOPLECTIC! and I am, too! So much so he barely let poor SASHA even get a word in on her own podcast!

Conversely, Tom O’Neil and Pete Hammond barely discussed Keira Knightley’s performance or “Anna Karenina” at ALL! THEY were all about Jennifer Lawrence although Pete Hammond cautioned “It’s early yet.” They can be found at http://www.goldderby.com

All I can think of is the year when “Sideways” won the People’s Choice Award at Toronto, too. It got a lot of nominations, but it lost Best Picture. I’m also thinking of George Clooney’s starrer “Up in the Air” and also just this year’s past “The Descendants” both Toronto Hits, though not People’s Choice winners.

They were, however, raved and raved and raved about out of Toronto and all season long, and then…The Air Went Out. Of Both Of Them. Almost like clockwork. And George was certainly being championed as Best Actor, too. And both times, it didn’t happen. Last year, the Little Golden Guy went to Jean Dujardin for “The Artist.” Face it, George, you’re just never going to win Oscar #2.

Interestingly, “The Artist” was also at TIFF(and at Montreal AND at the New York Film Festival) but didn’t win the People’s Choice Award, or even come in second. But of course, it did win the Oscar.

And as Harvey W. would say regarding the Academy Voters “These are the ones that count.” So just because some film has won big in Toronto, doesn’t mean it’s also going to be embraced by the Academy. Oh no. Not by a long shot.

And Jennifer Lawrence? Well, I haven’t yet seen “Silver Lining’s Playbook,” but I’m not a fan. Her flat performance in “X-Men” coupled with her execrable under-acting(non-acting to me) Academy Nominated turn(she barely moved) in “Winter’s Bone” turned me off her in a very big way. I didn’t even bother to go to see “The Hunger Games” because she was starring in it.

Bland, bland, bland. Flat and bland. Curvaceous, attractive by any and all Old Hollywood or even New Hollywood standards, to be sure. She’s pretty. Ok. I’ll give her that. But I have yet to see her be anything other than sub-par. Jennifer, I’m waiting.*sounds of my foot tapping*

But with all these critical hurrahs she’s now receiving, I guess, in the case of “Silver Linings Playbook”, I’ll give her the benefit of the doubt. I certainly am looking forward to seeing it and seeing what all this fuss was SUDDENLY about.

I was certainly tracking the Best Actress contenders in earnest at Toronto. I got up at 5:30 AM to make a 8:45am screening of Marion Cotillard in “Rust and Bone” and the  otherworldly, magnifique Marion did not disappoint my Best Efforts.. Neither did the lovely,understated, shy mouse of Laura Linney in “Hyde Park on the Hudson”, or Helen Hunt, the VERY naked and full frontal sex surrogate  in “The Sessions,” the sublime,tormented  Keira Knightley as “Anna Karenina,” and last but not least, Dame Maggie Smith’s all out Oscar-bait turn as an aging Opera Diva in “Quartet.”

Not ONE person in Toronto. NOT ONE, mentioned to me I should see Jennifer Lawrence in “Silver Linings Playbook’! NOT ONE! And I was listening…In fact nobody recommended “Silver Linings Playbook” to me at all. NO BODY! And then, BAM, out of nowhere this award! And then all these predictions! On Saturday…nobody was predicting her.

As Laura Linney said to me about all this Oscar madness “I take them with a grain of salt. You have to.”

I think all of this took the Weinstein Co. by surprise, too. During TIFF the #1 film was “The Master” Remember “The Master”? THAT’S what they were pushing, NOT “Silver Linings Playbook.” Now “The Master” is a SUDDEN #3, behind “SLP” and “Argo.”

And on the other side of the gender divide ~Is it Joaquim Phoenix in “The Master” or is it Daniel Day Lewis in “Lincoln”, or is it the much more sympathetic John Hawkes in “The Sessions”? I think the jury is really out on that category and you all KNOW how the Academy relates to Comedies, which the “Silver Linings Playbook” seems to be.

I’ll let you know MY take on all this as soon as I see the remaining films. You can’t write the story of 2012 when Oscar seekers like “Les Miserables”, “Lincoln”, “Zero Dark Thirty””Django Unchained” and “The Hobbit” are all still unseen.

In that case, the person I feel most in agreement with is Pete Hammond of http://www.deadline.com !

It’s not over until the Fat Lady(or in the case of Dame Maggie Smith in “Quartet”) the Thin Lady Sings!

Who will win the Audience Choice Award at TIFF?

Well, it’s an important Oscar question and somebody HAD to ask it. Who will win the Audience Award at TIFF? Last year, the award went to, and I knew it would, “The King’s Speech” which had a groundswell of opinion and support at last year’s TIFF. It was on everyone’s list. And at the top at that and beloved, even then.

So when it eventually went on to win the Oscar, I wasn’t surprised.

Of course, this was an award granted by English Canada, to an English film.

This year, I felt none of that consensus. So predicting this award is virtually impossible. Or is it? Well, I’m going to do it any way or at least list some films it MIGHT be.

“The Artist” I thought, after seeing the tumultuous, joyous reception it got at Montreal and that I heard that it got at Cannes,  I thought this would be a slam dunk. Oscar Goddess Sasha Stone loved it. And I did too. The black and white and SILENT hat trick is a truly marvelous cinematic achievement. A French film about the Silent Film Era AND in black and white! How can this film overcome all that to win people’s hearts? But it does. This is what I thought going in to TIFF.

But—

I didn’t feel “The King’s Speech” groundswell/consensus at TIFF. It should’ve been there. But it wasn’t. This surprised me. Maybe it has something to do with this being a French film….and well, y’know, there is still much antipathy to the French speakers in the OTHER big Canadian province, sad to say. It shouldn’t be this way, but it is. And this may explain the lack of amour for the marvelous “Artist.” I don’t think Toronto audiences ever have rewarded a French film in this category. The only one they award!

Maybe it will eventually triumph with the Audiences of Toronto. But there’s also the George Clooney movie “The Descendants” which unfortunately I haven’t seen, but will catch up with soon at the New York Film Festival, which is already upon us.

Many people liked this Alexander Payne film. His “Sideways” had that same TIFF launch, also, many years back, and that also went on to win the Audience Choice award. “Sideways”  went on to win many, many Oscar nominations but only won one, for Alexander Payne for Original Screenplay. But I think Woody Allen’s “Midnight in Paris” has that one sewn up. They loved George. I did sense I was in the middle of Clooney-mania…but…was it his performance more than the film? Or will Alexander Payne after a long absence from center stage be back in the spotlight, and an Oscar front-runner, if “The Descendants” wins this important award, from the people of Toronto, remember. NOT the press. No critics were involved. TIFF doesn’t hand out prizes like Cannes, and Montreal, and many other festivals do. It’s the people’s choice.. And Torontonians are such committed, avid film buffs all. They literally have to suffer and go through hell to see these movies, the demand is soooo great. They sell every seat. Yes, they do.

Then there’s also “Machine Gun Preacher” which was the best film I saw. Will socially conscious Toronto audiences respond to its’ challenging subject matter? The genocide in Sudan and Darfur. A subject that has never been treated by a mainstream award-worthy film? Like “Slumdog Millioniare” a film I didn’t take seriously til it won here. And then I was like, “Whoa! Have I missed something?” And “Slumdog Millionaire” as improbable as it sounded at the time, WAS the film you were hearing about constantly.

I didn’t see “Shame” or “Ides of March” but the reaction to both was mixed . I would be SHOCKED, SHOCKED! if it was Toronto home boy David Cronenberg’s latest misfire “A Dangerous Method.” Toronto audiences…do they have a habit of embracing their own? Not so much….but…

Well, it may be one of these films. There. I’ve narrowed down the list and lessened the unbearable suspense.

On Sunday, we’ll know.

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