a.k.a. "The Oscar Messenger"

Posts tagged ‘Armie Hammer’

My Year’s Ten Best 2017!

1. CALL ME BY YOUR NAME ~ One of the Best Films Ever Made. Period. The Gay Movie, we, as gays, have been waiting for all our lives. Timothee Chalamet has won BOTH the New York Film Critics and the L.A. Film Critics Best Actor awards. Armie Hammer is his magnificent love interest and co-star.

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2. WONDER WHEEL ~ Woody Allen’s latest and Kate Winslet’s tear-stained performance is one of her best.

3. THE SHAPE OF WATER ~ Guillermo Del Toro’s Best Film. Sally Hawkins is flat-out amazing as a Spanish Deaf Mute Janitress, who falls in love with something akin to the Creature from the Black Lagoon. But it isn’t ridiculous. It’s beautiful, and moving beyond words. She won Best Actress from the L.A. Film Critics. This film will make you cry.

4. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI– Irish Playwright Martin McDonagh’s magnificent morphing into a great American crime filmmaker. Frances McDormand and Sam Rockwell burn up the screen, literally. This film will make you angry. For all the right reasons.

5.  THE FLORIDA PROJECT ~Unbelievably, an epic film set in the make-shift budget motels across the street from  DisneyWorld, which was first called “The Florida Project,” as it was being built. Willem Dafoe is the sympathetic, sad-sack motel manager and six-year-old mischief maker Brooklynn Prince rock each other’s, and our world. Public access legend Sandy Kane makes a cameo appearance. She told me, “If you blink, you’ll miss me. It’s Tats over tits.”

6.ALL THE MONEY IN THE WORLD ~ Director Ridley Scott is back Big Time, as he directs Michelle Williams and Christopher Plummer in a tense, spine-tingling thriller about the ’70s kidnapping of J. Paul Getty’s grandson, who, yes, gets his ear cut off and sent to his mother (Williams.) But you can’t turn away.

7.LADY BIRD ~ Genius Greta Gerwig channels her boring, restless teenage years in  middle-class Sacramento into a box office bonanza that Irish actress Saoirse Ronan and Laurie Metcalfe as her befuddled, well-meaning mother from Hell, make herstory and could all win Oscars. Best Film of the Year from the New York Film Critics. Will it win the Oscar, too, for Best Picture? It might.

9. DUNKIRK ~ Christopher Nolan’s truly epic epic that makes all WWII war movies look like tiddly winks and utitlizes Oscar Winners  Mark Rylance, Kenneth Branagh and a cast of 100os to re-vitalize history in a seat-of-your-pants thriller diller. And rock star Harry Styles is in it, too. And he’s good!

10.  FROM THE LAND OF THE MOON ~ Marion Cotillard’s mesmeric performance once again lights up the skies in this unusual French love story.

Oscar Nominees Begin to Arise at NYFF


Oscar Nominees, potential Oscar Nominees, Begin to Emerge as the New York Film Festival reaches its’ much touted half-way point.

Last Flaf Flying 1
The biggest winner so far seems to me to be Steve Carell, who has two strong possibilities in two films, one in the Festival, one outside it. The hilarious “Battle of the Sexes” and the somber “Last Flag Flying”.Steve Carell

I would say that his hysterical turn as blow-hard Tennis Pro Bobby Riggs is almost sure to be nominated in the Supporting category for Carell. I would’ve said that his MUCH more serious turn as the grieving father in “Last Flag Flying” was also a Supporting performance, but some are saying he’s lead.

It would be just like the mercurial Carell to end up in both categories. He’s well-liked and clearly at a career high, so it’s entirely possible.

I’m SURE they are going to nominate Emma Stone, last year’s winner for “Battle of the Sexes.” That would be in the Best Actress category for her portryal of closeted lesbian Tennis Pro Billy Jean King. Best Actress is now more jammed than ever with potential nominees clamoring to get in. Saoirse Ronan is pitch perfect at the rebellious teen in “Lady Bird.” She’s definitely an “In”. As is Laurie Metcalfe, also on a roll, after winning the Tony this year for “Doll’s House, Part 2.” Her put-upon hard-working mom to Ronan’s rambunctious teen daughter is as maddening as she is sympathetic. She’s “In” in Supporting, never having even been nominated for an Oscar before.

Another surefire “in” is Willem Dafoe in the magnificently original “Florida Project.” He could win in this category, Supporting Actor, but he’ll be up against Carell, or even Bryan Cranston AND Laurence Fishburne for “Last Flag Flying”. Though I would say Cranston and Fishburne are BOTH leading roles.”Florida Project” also has a secret weapon in six-year-old Brooklynn Kimberly Prince. Florida Project 1They nominated another six-year-old and quite recently, too. Quevezhane Wallis in “Beasts of the Southern WIld.” Hey, even in a crowded year for Best Actress , like this one, powerhouse charmer Brooklynn( that’s with two “n”s thank you very much.)could surprise.

A complete unknown still is Kate  Winslet’s performance  in the still unseen “Wonder Wheel” of Woody Allen. It closes the Festival and absolutely no one has seen it yet. But the buzz is deafening and the production photos look awesome.

Someone who is NOT getting in to the crowded Best Actress race is octogenarian Dame Judi Dench, who I’ve admired and loved all my life. But “Victoria and Abdul” is the worst thing she’s ever done. Sad to say. Long, slow, and although she’s her usual great self in the funny first half, in the second more serious half, she had sooooo many death scenes, I couldn’t WAIT for her to die. Which is an awful feeling for a potential Best Actress nominee. She’s been to the Queen Victoria well one too many times now. She’s been there, done that, and quite frankly her failure to carry this film through to the end, just sickened me. Yes, even Judi Dench is human. She just doesn’t know when to stop.

Can’t wait for “Wonder Wheel” this Friday and for “Wonder Struck” by Todd Haynes tonight at the NYFF. Their Opening Night film was “Last Flag Flying” and “Wonder Struck” is their Centerpiece and “Wonder Wheel” closes it.

A superb film that is none of those things but “Call Me By Your Name” is Luca Guadagnino’s masterpiece and a gay love story to end all gay love stories. Timothee Chalament, is the teen in THIS coming of age story. He’s also playing a bad boy rock musician in “Lady Bird. ”

Army Hammer is the other half of this lovely gay love duo, and BOTH performances are so powerful, they could BOTH get nominated. Chalamet in lead and Hammer in Supporting.

As bizarre as it sounds all these films could get nominated for Best Picture. That’s how good the New York Film Festival has been this year.Call Me By your Name 1

Oscar Nomination Predictions 2011

Best Picture

The Artist

The Descendants

Midnight in Paris

Hugo

The Help

The Girl With the Dragon Tattoo

Moneyball

My Week With Marilyn

In a year where there could be as little as five and as many as 10 Best Pictures, I’m going to split the difference and say 8.

Best Actor

JEAN DU JARDIN “The Artist”

GEORGE CLOONEY “The Descendants”

BRAD PITT “Moneyball”

LEONARDO DI CAPRIO “J.Edgar”

DAMIAN BECHIR “A Better Life”

I think the S.W.O.R.M. the Straight White Old Rich Men who are let’s face it, the majority of the AMPAS voters are not gonna be OK with Michael Fassbender’s full frontal EXTENSIVE nudity through “Shame”, but WILL be OK with Mexican actor Damien Bichir’s heart-wrenching portryal of a good father/gardener working in the Palm Trees of L.A.

Best Actress

MICHELLE WILLIAMS “My Week With Marilyn”

MERYL STREEP “The Iron Lady”

GLENN CLOSE “Albert Nobbs”

VIOLA DAVIS “The Help”

ROONEY MARA “The Girl With the Dragon Tattoo”

I think that late opener “The Girl With the Dragon Tattoo” which is nearing the $100 million mark domestic is going to be on a lot of voters’ minds. And this will be a kind of pay back to David Fincher & crew for NOT winning last year and the biggest beneficiary of this will be leading actress Rooney Mara, for her bravura turn as Lisbeth Salander. And the person she’ll knock out is not the revered Glenn Close, who has been struggling to get “Albert Nobbs” made for over 20 years, or more, but Tilda Swinton, who HAS an Oscar already.

Best Suporting Actor

CHRISTOPHER PLUMMER “Beginners”

KENNETH BRANAGH “My Week with Marilyn”

ARMIE HAMMER “J.Edgar”

COREY STOLL “Midnight in Paris”

JONAH HILL “Moneyball”

This is the hardest category to predict this year with the prospective nominees jumping all over the place, like Mexican Jumping Beans throughout the precursor awards. And no, Damien Bichir is NOT in this category. I think SAG nominee Armie Hammer will pop up here as he did in SAG, and knock out Albert Brooks who was snubbed by SAG AND BAFTA. And also they’re going to nominate SOMEBODY from “Midnight in Paris” besides Woody and Corey Stoll’s Ernest Hemingway made the strongest impression in that gigantic ensemble.

I hate to say it, but I’m putting Jonah Hill in because he was in the movie, “Moneyball” that the most voters will probably have seen and because by the same token they WON’T have watched Nick Nolte in “Warriors.”

Best Supporting Actress

VANESSA REDGRAVE “Coriolanus”

OCTAVIA SPENCER “The Help”

JESSICA CHASTAIN “The Help”

BERENICE BEJO “The Artist”

JANET McTEER “Albert Nobbs”

I think Vanessa Redgrave’s towering performance in “Coriolanus” will FINALLY turn up here, as it hasn’t so far anywhere else. The Harvey factor is in play here and yes, it’s a Weinstein Co. movie. As is “The Artist” as is “The Iron Lady” as is “My Week with Marilyn.”

Best Director

Michel Hazanaviscius “The Artist”

Alexander Payne “The Descendants”

Martin Scorcese “Hugo”

Woody Allen “Midnight in Paris”

David Fincher “The Girl With the Dragon Tattoo”

I think this will match the DGA nominees(the Directors’ Guild) five for five.

And on Tuesday morning we’ll see. I predict the steamroller of “The Artist” will continue with its’ getting the most nominations of any other film. And for a 90 min. Black and White SILENT film made for only $12million, it’s a phenomenal run that is STILL just getting started!

“Oscar Race” EW Cover w/Clooney & Viola Davis. Controversial? Accurate? Embarrassing?

I really wonder if the venerable Entertainment Weekly has jumped the shark this week with its’ “Inside the Oscar Race” cover prematurely, I think, showing George Clooney in a tux (nothing new), but at his side,, resplendent in a white ball gown, is Viola Davis! THIS is new! And the cover states “Front-runners George Clooney (The Descendants) and Viola Davis (The Help).” WHAT???

I thought Meryl Streep and Michelle Williams were the two heavyweights for Best Actress! But the usually reliable Oscar God David Karger is plunking his two cents down (and EW is presumably totally backing these choices), and inside we see V.D. depicted holding what looks like an award, or a Golden Globe, or SOMEthing, when on closer look it is seen to be a hand mirror. A bejeweled one, but a HAND MIRROR!

This is the kind of thing that INFURIATES Academy Voters, who are voting or rather nominating, right now as you read this. Many of them perhaps have not even sent their ballots in yet or filled them out, and here is EW acting like IT’S ALL OVER! BAD MOVE, EW!

I would be OK with this if it was a year where this was TRUE, but George is fighting for his life in Best Actor, (He’s got one already and “The Descendants” is depressing.) against his BFF Brad Pitt, who, BTW, just won Best Actor from the prestigious National Society of Film Critics. Take THAT, EW! They seem to be saying. And the Best Actress race is all over the place, between those three ladies. Williams, Streep & Davis.

And Viola Davis, as talented as she is, has not yet won ONE major award yet for “The Help”! A cover like this and a lay-out and an interview like that, may infuriate Academy types into NOT voting for her, when the time comes. And it IS a Supporting Performance in most peoples’ books…including mine.

But to photograph her looking so RADIANT and BEAUTIFUL and AIR-BRUSHED to death, well, we’ve never seen her like this before. And acting like she’s already won! But she hasn’t!

I fear this cover is going to make AMPAS voters feel like “Wait a minute! Don’t tell US who’s won!” or who to vote for. MISTAKE! This is what the Board of Governors was actually warning people about this year.  See Scott Feinberg’s excellent analysis of this at www.hollywoodreporter.com where Scott now is writing “The Race.”

And Jean Dujardin of “The Artist” is the one who most Oscar experts are picking for Best Actor. But not to EW.

I totally agree with Dave Karger with his choice that “The Artist” has already won Best Picture and is waaay out in front in that category. He’s right about that. But I would not be a very good Oscarologist myself, if I didn’t feel it incumbent on me to say “WAIT A MINUTE! Hold your (War) horses, EW!”

What they are doing is championing or campaigning for Clooney/Davis with this glossy cover and the even glossier interview inside. Acting like it’s a done deal. That is SOOOO BAD in Oscar campaigning terms.

And I know Dave Karger is familiar with Oscar 101.

I’ve NEVER seen EW so blatantly Up a Duo from two different films, yet, who may not be pictured together ever again this awards season. How embarrassing! But EW is nothing if not BOLD.

However, their first Oscar cover of the season isn’t a NEWS issue. It never is.

Didn’t they depict “Finding Neverland” once upon a time? Oy vay.

And there was once an Oscar issue like this with three actresses shown. I think it was Jennifer Connelly and Nicole Kidman and somebody else. And that third lady did not get nominated. I can’t even remember who she was. How embarrassing was that for her? And presumably for the magazine. But guess not, cuz they’re doing it again!

But some of you will remind me who that third gal was, who didn’t get nominated.

And even though Michelle Williams is splattered all over the INSIDE of the magazine in their for real predictions section on who’s going to be nominated…that story/interview on George ‘n’ Viola’s friendship was a little grating and self-serving. And yes, both of them are acting like they’ve ALREADY WON! NO! They haven’t!

THIS IS A HUGE OSCAR “No!NO!”

George has picked up a couple of critics awards, but Viola has gotten none, separately, herself, for Best Actress. Though “The Help” has gotten kudo-ed for Ensemble in several places.

This is the kind of cover that could de-rail a campaign. SERIOUSLY. Dave, what were you thinking? Well, obviously, he thinks he’s right.

I beg to differ.

And inside, though, his predictions themselves, were pretty spot-on for who was going to be nominated for Best Picture, Actor and Actress, though he’s got Michael Fassbender in there, and I think it’s Demian Bichir. Although Demian DOES receive a cute consolation prize, a “For Your Consideration” box.

But his supporting picks were all over the place, especially in Supporting Actress.

I was shocked at how wobbly his Supporting predictions were and yes, the Supp. Actress category is historically the hardest to predict. He’s got Berenice  Bejo (yes, she’s nominated for a BFCA, Golden Globe and a SAG) Ditto Octavia Spenser. He’s got Janet McTeer pictured, and I think that’s right. And Jessica Chastain for “The Help” which seems to be what she’s inevitably nominated for, though, it’s the least of her EIGHT performances this season! And then he has Melissa McCarthy, who EW just had on another of their covers recently as “The Queen of Comedy”. This would be for the gross-out “Bridesmaids.”

He doesn’t mention Vanessa Redgrave AT ALL. NOWHERE. And I think she WILL TURN UP here. Especially after being snubbed by BAFTA!!! Can you believe it?

I’m sure it’s the ghost of her earlier-in-life, extreme left-wing policies from the ’60s still haunting her. But if the Academy, Anglophile Lefties all, (well, the majority anyway) will over look Redgrave’s policy and put her in where she belongs and she could win this for her ASTOUNDING performance in “Coriolanus.”

Karger also gives Carey Mulligan from “Shame” a “For Your Consideration” box. And that is valid. She was great, if not greater, than Michael Fassbender in “Shame.”

We all know Christopher Plummer is going to win his career award in Supp. for “Beginners” and Dave Karger duly notes this. The other nominees, in this category, though, except for Kenneth Branagh are all up in the air. ESPECIALLY, his pick of Max Von Sydow for “Extremely Late and Incredibly Distasteful”! I don’t think so.

He’s got Jonah Hill and Albert Brooks in there but they were overlooked by SAG, and Nick Nolte and Armie Hammer WERE SAG-nominated, which he notes, but doesn’t see them getting in.

Who could pop up here, unexpectedly, is Corey Stoll for his finely etched portrait of Ernest Hemingway in “Midnight in Paris.”

And Kathy Bates and/or Marion Cotillard could be two last-minute  pop-ups from “Midnight in Paris.” They both just were named on the BAFTA long list…So they’ve been noted there.

Oh, and that BAFTA long list!…well, let’s just say it’s TOO LONG to even bother with at this point. But as always you can check out www.awardsdaily.com for a much closer look at that ENDLESS list, on which nearly everybody who made a film this year, is on. Wait for the BAFTA nominations themselves. But Beth Stevens, at Awardsdaily does a really good job at parsing them, especially in the comment section.

Oscar’s Pesky Supporting Categories. Mucho loco.

Oh, those pesky Oscar Supporting Categories! They are sooo hard to pin down, always, but this year’s there’s so much movement it makes the potential nominees look like Mexican jumping beans!

And no SAG didn’t match the Golden Globes, and they both didn’t match the  (Broadcast Film Critics Assoc.) But look who these groups REALLY represent. Look closely. And the first thing you may notice is that the Broadcast Film Critics, is made up, of mostly, well, film critics.

And there are NO film critics in the Academy. Repeat after me. THERE ARE NO FILM CRITICS IN THE ACADEMY.

And Stu Vanairsdale’s www.movieline.com excellent depiction of the Hollywood Foreign Press as “swag monkeys” is sooo apposite I want to adopt it just for my own, but yes, that defines them. ABSOLUTELY. And also, they are PRESS. And yes, repeat after me…no don’t bother. There’s no press in the Academy either….

So the fact that Michael Fassbender didn’t get a SAG nom is much more significant than it may at first seem. AND he’s urinating on-screen. Literally pissing his nomination away. And that’s how Demian Bichir got HIS SAG nom, playing a heroic Hispanic gardener. Yeah, this category this year . It’s a pisser.

But also not nominated for SAG was Albert Brooks from “Drive” and that make me wonder. He was nominated for Supporting Actor by both the BFCA and the GG, but to be left out of SAG may be fatal.

Why was Brooks not nominated for “Drive”? Maybe because THEY DIDN’T WATCH “DRIVE.” SAG gave nothing to “Drive” whereas the BFCA nominated it A LOT.

Who was nominated in Brooks’ place? Armie Hammer for “J. Edgar!” Stupendous in “The Joy of Typing” as BOTH Winklevoss twins, he’s riding a crest of good will. And Academy members keep exclaiming “I loved J.Edgar!” Which is something obviously Stu V. isn’t hearing.

And Hammer benefits by being in Leo DiCaprio’s shadow. He gets to kiss him, after all (Degree of difficulty!) And even though “J. Edgar” was left off the PGA list, it made MY Ten Best, and I STILL think it’s another Clint Eastwood masterpiece. THAT could be a surprise BP pop-up on Oscar Nomination Day, which is Tuesday Jan.24.

AMPAS members are voting right now on their choices of nominations. Yes, they are. And so what’s on their minds? Well, “The Artist” for one, which is going to get more nominations than any other film this year. And Berenice Bejo is on her way to a for sure Best Supporting Actress nomination and possibly even a win, in my book.

The Argentinian/French beauty carries as much of the film as the stalwart Jean Dujardin, who did win the Best Actor prize in Cannes this year. And she got a BFCA, a SAG nod, and also a Golden Globe nomination. So she was the triple crown of nods as it were.

And she also just won BEST ACTRESS in the Rome Film Festival which just wrapped last week.

So she’s definitely on a roll, and she’s also married IRL to “The Artist” s front-runner for Best Director Michel Hazanaviscius. And HE’S probably going to win Best Director across the board, and if she won, too, that would be the first time in Oscar history that a husband and wife team won double Oscars, a quaint touch that the Academy may very likely find too charming to resist, too. Just like their movie!

They’re French, and SOOOO in love! And so happy!

Berenice’s main competition is Octavia Spenser for “The Help.” Spencer, an unknown up until this season, also was a recipient of a SAG, BFCA & a GG nod. So she’s almost assured of a nomination. But she’s an Academy newbie. Her memorable performance as the foul-mouthed Minnie is the kind of role that gets nominated but doesn’t necessarily WIN awards.

And there was that shitting in the pie scene. Unlike Michael Fassbender, we don’t SEE her doing it, thank god, but she does do it, and then serves it to Bryce Dallas Howard, RON HOWARD’S daughter! in real life, who plays the villainess Hilly so well here in “The Help.”

Stu V. and Tom O’Neil at www.GoldDerby.com and many others have her as a frontrunner in Supporting Actress, but I wonder….

I do NOT think the Academy is open-minded enough to award TWO African-American actresses in ONE year. One of them, maybe, but not both. And Viola Davis is pictured and named as “The Frontrunner” on this week’s Entertainment Weekly annual Oscar issue. She’s pictured with George Clooney, which actually could be the kiss of death. They could BOTH not win.

And the two “Help” women, may split the “Help” vote. And neither wins.

It’s a very interesting year in that the actress categories are so up-in-the-air.

And it just goes to show that Meryl Streep’s reviews for “The Iron Lady” were sooooo bad that they vaulted Viola Davis on to the cover of EW!

And Shailene Woodley of “The Descendants” was not nominated for a SAG award either.  Too young, merely a teenager. But Janet McTeer of “Albert Nobbs” was…and Stu V. has Glenn Close of “Albert” slipping out of the locked five in Best Actress, being replaced by Rooney Mara. I don’t see that happening. But Janet McTeer has ALSO scored the trifecta of BFCA, SAG & GG.

And then there’s Jessica Chastain & her 5000 films she was in this year’s problem. What to nominate her for? Well, if it’s for “The Help” (a good perf, but not great) she’d also be splitting the “Help” vote with Spencer and then…and then…Berenice Bejo wins!

And Vanessa Redgrave could win in this category, but she’s been nominated nowhere so far and it seems like NO body is watching “Coriolanus.”

And then there’s sweet Carrie Mulligan who shows HER nether regions in “Shame.” But oh yes, since she’s a young girl, that could help her…but so far…No nominations…which is a REAL shame.

And Christopher Plummer? He won this race, Supporting Actor, the minute his marvelous film “Beginners” opened in May. The question that plagues us Oscar-ers and Oscar-ettes, is who’s going to be nominated in that category and lose to him. Plummer has never seen so, well, plummy. And he’s experiencing the most attention and love he’s perhaps ever gotten in his long and very chequered career. He’s very grand, too, as Herbert Wanger in “Girl with the Dragon Tattoo.” It’s his year. He’s everywhere!

“J.Egdar” Clint Eastwood’s New Masterwork. Leo Will win the Oscar!.

Clint Eastwood has done it again! At age 81, he has created yet ANOTHER career-capping masterwork. And Leonard DiCaprio will FINALLY win an Oscar. And it will be his first but not his last. He’s a great American actor who has finally been challenged by this, his greatest role of all time, and he gives his greatest performance ever.

Wow!

I could hardly believe my eyes and ears! Eastwood & DiCaprio were making us sympathize with this most unsympathetic of men. And making us care about him. In the end I was crying. I’ve been totally bowled over by this amazing, powerful movie.

I saw it in the same screening room, in almost the same exact seat where I saw “Million Dollar Baby” not so long ago, and it had the same kind of impact. Stunning.

Desaturated is the color of the day and the few times we do see a trace of a bright red it’s either in the flags flying gaily at the race track, where he sits in stands with his closeted homosexual lover, Clyde  Tolson (played greatly here by the astonishing Armie Hammer, who will also get nominated for his great performance! I predict!)  finally relaxing a little. Or it’s red as the color of blood. And this film has plenty of that, too. Being as violent as a ’30s gansta flick itself.  And in one incredibly powerful scene, Tolson actually bloodies Hoover. Don’t want to say too much more about that, because it’s probably one of the greatest scenes in the movie and one of the greatest scenes ever filmed.

Dustin Lance Black, the Academy Award Winning screenwriter of “Milk” has also done it again and given us a heartfelt, incredibly moving story about two men who can only express their love for each other by holding hands.

Everything is hidden. But that’s the way homosexuals had to live in those days. And thank god, that those days are gone! But thank god this movie is here! I never thought I would ever be raving about a movie about J.Edgar Hoover, but I am!

Leonard Di Caprio, I’ve always felt was one of the greatest of the great actors who are alive today, and he seems more alive in this movie than he’s ever been, even though his face is often buried beneath TONS of disfiguring age make-up.Best Make-Up. That category is now closed, too. Along with Best Actor. Di Caprio has just beat George Clooney AND Brad Pitt good and proper. The Oscar is now totally his. Category closed!

It’s a bold, brave performance in a bold, brave movie about a man whom many thought that he was the opposite of that. He was feared more than liked.And hated by many.

But liked by, it seems from “J.Edgar”, only three people, his devoted secretary (Naomi Watts, with too little to do), his mother, the great Dame Judi Dench, who will be surely going to the Oscars again nominated for this film, and her polar opposite performance as the gracious, generous, giving grand dame, Dame Sybil Thorndike’ Her Dame Sybil in “My Week with Marilyn” helps her nomination for the evil Mrs. Hoover, who is certainly up there with the greatest of screen villanesses. It was is she were animating the corpse of Norman Bate’s mother in “Pyscho.” She’s cut from the same cloth and seems to be wearing the same dresses that Norman’s mother, and Norman wore.

And yes, there is cross-dressing here, too, but it’s used to VERY powerful effect, and in such a PROFOUND way, it made even me understand my own homosexuality a bit more clearly. I just couldn’t believe that scene. It will be talked about as long as they talk about movies!

This film is going to be nominated for slews of Oscars. They all love Clint anyway, and whatever ambivalent feelings they’ve ever felt about Leonardo will be all erased by his magnificent performance in this monumental movie.

Best Picture, Best Director,  Best Actor, Best supporting Actress, Best Supporting Actor(Armie Hammer), Best Original(or is it adapted?) screenplay, best cinematography, best editing, BEST MAKE-UP! And more. It will get the whole Oscar kit and kaboodle thrown at it and everyone should be tossing their hats in the air! I know I am! A great  American master Clint Eastwood has created ANOTHER great American Masterpiece. And it’s about a love story that’s never been told, and is so, so heart-rending, you’ll never forget it.

If J. Egdar Hoover was an evil man who abused his power and did evil things in unlawful ways, it was because he could not, as his mother could not, accept his homosexuality. Thank god he had a Clyde Tolson in his life! We all should. The world would be a better place.

In homophobic Hollywood, “J.Edgar” could be heading to another “Brokeback” heart break at the Oscars. For Best Pic, I mean. I think it will be nominated(they all over Clint) but it won’t win. Again. Like “Brokeback”, but this time Leo will.
When a straight icon like Leo, plays a gay man/monster like “J.Edgar” who was totally ashamed of his homosexuality, the Academy will reward. George Clooney has his Oscar already. And with this monumental performance of a life-time, he doesn’t stand a chance.

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