a.k.a. "The Oscar Messenger"

Posts tagged ‘American Hustle’

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“Dallas Buyers Club” wins Best Make-Up, “Great Gatsby” wins Best Costumes. As expected.

This is getting to be a VERY predictable Oscars…so far…”Dallas Buyers Club” wins Best Make-up and Hair, and “The Great Gatsby” wins Best Costumes. They clumped Best picture clips of three films together. “Wolf of Wall Street” and “Dallas Buyers Club” ( I think) and “American Hustle”(I think) I’m typing and posting so fast, can barely keep up with what’s being shown.

Lots of shots of Jonah Hill in the audience looking like he doesn’t care that he lost. Happy as a clam. Barkhad Abdi doesn’t look so happy.

Kim Novak! And Matthew McConaughey presenting Best Animation. Short.Kim whose voice sounds like Mercedes McCambridge. Oscar goes to “M. Hublot!” French? Montrealais? French, I think. Yeah, they’re French. Charmant.

And now the Best Animated Feature. Kim said “Feature” just before when she should’ve said “Short” Kim takes the pause of pauses before she says “Frozen!” Again, not a surprise, is it?

So many awards before this have taken all the air out of Oscar’s tires.

Unneccesary Ordinary Heroes montage intro’ed by a super-nervous Sally Fields.I thought they were going to make the show shorter…er…um…

The Golden Globes and the BAFTAS are only two hours…just saying….

“American Hustle” should’ve won that Best Costumes award…if it was going to win big tonight…a hint?

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My Surprising Best Actor Pic, Or is it?

My Surprising Best Actor Pic, Or is it?

Just take a look at that picture. Can you imagine anyone voting for anything else if they have seen or suffered through that horrendous moment of moments in “12 Years a Slave”? where Chiwetel Ejiofor’s character of Solomon Northrup is hung by the neck until he’s NEARLY dead? And it’s an INTERMINABLE time. It’s goes on and on and on and director Steve McQueen’s camera just holds that horrifying shot. And it comes near the beginning of the film, too.

Northup revolts against Paul Dano’s thoroughly evil twerp of an over-seer and whups the living daylights out of him,and the audience bursts into cheers! Always. But are horrified to see Dano’s character come back with reinforcements, and they string Solomon up and just leave him there for what seems like hours. AND NO ONE CUTS HIM DOWN!!! AND HE’S STILL ALIVE!!! As the other slaves in the background of the above scene just go about their work, and COMPLETELY IGNORE his hanging there before them!

Northup’s feet barely touch the ground and keep trying to find footing or balance as he hangs by his neck until….well, I don’t want to spoil THAT much of the movie But the utter horror of Ejiofor’s Northrup hanging there, and hanging there and hanging there….well, it’s like watching a REAL hanging in real-time.

It’s excruciating and unbelievable but TRUE! Everything in “12 Years a Slave” is directly from that book that Solomon Northrup wrote that is only now beginning to be taught in schools in America….

But for this scene, as Ejiofor as Northrup struggles to free himself, to balance himself, to just keep breathing is well, breathtaking, and is a scene the Academy, if they’ve seen it, will surely reward with a Best Actor Oscar for Ejiofor.

Although the operative word in that sentence is IF THEY’VE SEEN IT. Peggy Seigel, the great Oscar party thrower, said at the Vanity Fair Oscar Chat that Sasha Stone writes so feelingly about at http://www.awardsdaily.com , that many, MANY Academy voters were just NOT WATCHING “12 Years a Slave” AT ALL.

And Sasha keeps trumpeting and advocating for it until the last-minute, and so, this year am I.

She has expressed doubts about it winning Best Picture and thinks that it might be “Gravity.” I hope not. But she’s also said that she thinks, worse case scenario that it might just get ONE big award. And after BAFTA, which Brit Ejiofor won, that THAT would be the Award. “The Big One” that “Slave” gets, if it shockingly doesn’t get anything else.

But I for one think it will get Best Picture. You ask everyone in New York(and I do) on my cinematic travels and everyone HERE says in unison “12 Years a Slave”. Maybe in L.A. you’re hearing something different. But with the BAFTA Best Picture and Best Actor win, I think the Academy may just do the right thing and check both boxes.

Lupita Nyong’o, who may very well be the OTHER “Big One” that “Slave” wins didn’t win at the BAFTAs. She lost to last year’s It Girl, Jennifer Lawrence for “American Hustle.”

So it could be BP, Best Actor and Best Adapted Screenplay. But I would also hope Lupita wins. Both the Gurus o’ Gold at http://www.moviecitynews.com and also Tom O’Neil’s Gold Derby at http://www.goldderby.com have Lupita out in front. But Chiwetel isn’t even LISTED in either place.

If “American Hustle” is going to win anything, and the Academy may want to give it SOMEthing, they can award the indefatigable director David O. Russell in “Original Screenplay” which he also wrote and I think that’s where the “American Hustle” voting energy will go. And voila! They’ve honored it and FINALLY David O gets an Oscar.

What else could “Slave” win? It could turn up in some of the below the line categories, like Production Design or even Costume Design. If it wins Best Editing early in the evening, look out, a sweep for “Slave” is coming. But if that early award goes to “Gravity” as well it might, we can look for “Gravity” to take the many, many technical awards it’s predicted for.

But if it’s “Captain Phillips” in editing, there really could be a shake-up and spread amongst the categories, with even an upset like Somali first time actor Barkhad Abdi winning for Best Supporting as he did at BAFTA. Is the Academy so broadened in its’ thinking post-“Brokeback” that giving BOTH its’ Best Actor and Best Supporting Actor awards to TWO gay AIDS victims, Matthew McConaughey and Jared Leto?

Still smarting from “Brokeback”s loss to homophobia in AMPAS, I’m hedging my bets that both McConaughey and Leto won’t win. ONE of them may. And this could be where Chiwetel Ejiofor is the surprise of the night who triumphs. But no surprise to me, or to you, dear readers, dear cineastes.

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Who gets Most Oscar Help from BAFTAS? Chiwetel Ejiofor, that’s who!

Who gets Most Oscar Help from BAFTAS? Chiwetel Ejiofor, that's who!

It certainly looks like “12 Years a Slave” is going to win Best Picture and Alfonso Cuaron is going to win Best Director if you judge by tonight’s BAFTA Awards in London. But we knew that already going in.

Who is helped the most in the top categories? It for sure is British Black actor Chiwetel Ejiofor who had his first win tonight for “12 Years a Slave” and his magnificent performance in it.

Leo DiCaprio was there. And he looked pretty pissed in the cut-away shots they showed of him. Just like George Clooney looked in the year he ALMOST, but not quite, had the BAFTA Best Actor in his grasp for “The Descendants” only to see French heartthrob Jean Dujardin win for “The Artist.” And Dujardin went on to win the Oscar, too..

Chiwetel could upset Matthew McConaughey’s Oscar apple-cart, that’s for damn sure.Leo is now oficically out. “Wolf of Wall Street” was shut out completely by the Brits tonight. And “Dallas Buyer’s Club”s two front-running(supposedly) stars McConaughey and Jared Leto were not even nominated in Bligthy. So they couldn’t compete here.

This gave Chiwetel a chance to give a beautiful, moving speech, which he did. So Matthew “Awright, Awright, Awright” McC. you better watch out!

But Jared Leto, you’re OK. They are not going to give the Oscar to first time actor Barkhad Abdi for “Capt. Phillips” who surprisingly won the BAFTA over Irish actor Michael Fassbender for “12 Years”. Leto looks set to continue his march to the Dolby, as does Cate Blanchett in Best Actress for “Blue Jasmine.” Who was pure class in her acceptance speech, not even mentioning Woody Allen, but instead dedicating her award to her late friend, Phillip Seymour Hoffman.

And what to make of Jennifer Lawrence WHO WASN”T EVEN THERE to accept her also surprising Best Supporting Actress win over favorite, the beautiful, brilliant Lupita Nyong’o for “12 Years.”?

Well, JLaw was snubbed last year for Best Actress by BAFTA who awarded Emmanuel Riva for “Amour” instead. JLaw was memorably filmed looking awfully embarassed as she was there to win, but stayed in her seat. So I think the BAFTA membership was making up for last year’s no-show. But Lawrence not wanting to repeat that awful faux pas. Didn’t even come. And she won.And she didn’t even BOTHER to come.

JLaw doesn’t have the momentum this year that the lovely Lupita does. And the Academy here is NOT going to give Lawrence ANOTHER Oscar when she got one last year. “She already won!” is what everyone is saying about JLaw’s skilled comic performance in “American Hustle.” So I think Lupita,, Vogue magazine’s “It” Girl, should be just FINE.

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Woody Allen Fires Back

Woody Allen Fires Back

You just never WHAT turn the Oscar Race is gonna taken and that’s one of the reasons I find it so endlessly fascinating. But this left turn is one that really saddens me. That Cate Blanchett might lose an Oscar for the performance of her career in “Blue Jasmine” is just awful. I don’t think she will, but…you never know…and the godawful confused performance of Amy Adams might win instead in Best Actress for the execrable “romp”i.e.,” American Hustle” is too much to bear or even think about.

This probably isn’t going to happen. The Academy has a history of ignoring alleged bad behavior in favor of great work. And AMPAS, if any body, is made up of a jury of Woody’s peers, if ever there was one. I’m predicting that Cate the Great will still win and that this controversy might even win, in a surprise, and garner Allen yet another Best Orginal Screenplay Oscar. It’s a better screenplay than “Her” OR “American Hustle” now that I think about it.

But Woody came out firing on all guns in the New York Times no less and here’s what he had to say, in full. over at http://www.hollywood-elsewhere.com. Jeff Wells’ take is instructive and scroll down to “My Feelings Exactly” to read the entire statement.

Jeff Wells by the way is in Berlin for the Berlin Film Festival and isn’t liking it one bit.

Cate Blanchett’s Oscar Suddenly in Trouble?

No sooner had I typed the words “There’s nothing that can stop Cate Blanchett’s March to the Oscar” when there appeared in The Hollywood Reporter http://www.hollywoodreporter.com that indeed there WAS something. Something awful. And there’s been volley’s and cross-fires on http://www.awardsdaily.com and also http://www.hollywood-elsewhere.com All are now essential reading. 

But the definitive piece, I think is http://www.showbiz411.com/2014/02/01/mia-farrow-uses-close-pal-journalist-in-woody-allen-war-writer-of-latest-piece-is-close-friend

By Roger Friedman.

You, dear readers, dear cineastes, can make up your own minds. I am more with Roger Friedman on this.

First the timing of the piece, right in the supposedly “Quiet period”, the two week before the AMPAS voters get there ballots. And the attaching of Cate Blanchett to this horrible story. The NBC news last night ran it with 20-year-old footage of Allen with the police, etc. etc. He had red hair in all the shots of him, that’s how old it was. But they didn’t link the story, with Cate Blanchett and “Blue Jasmine.”

While if you believe Dylan Farrow’s detailed account of her molestation by Allen, did she wait all these years to release this new salvo, and come out of the shadows, just now, when Cate Blanchett is poised to win yet another Oscar as one of Woody’s Great Roles of Women. “Midnight in Paris” won him ANOTHER Oscar last year for Best Original Screenplay and nothing was said. But now to attack and involve Cate Blanchett in this??? Smacks of another actress’jealousy, an actress who DOESN’T have an Oscar, and is probably never going to get one, and I’m looking at you, Mia Farrow.

Will this affect,, however Cate Blanchett’s Oscar win? Well it might and it might not. Look, the Academy awarded Roman Polanski Best Director for “The Pianist” and also it got Best Actor for Adrien Brody, in an unexpected (but not by me, who predicted it) on my TV show)win for Best Actor. But then again, it might. 

As I said in my previous post here on this blog, the BAFTAS are really going to tell the tale. And who would be the primary recipient of this really sad situation? I think it’s not Amy Adams, who gave one of the worst performances of her career in “American Hustle”, but 77-year-old Dame Judi Dench, who is also nominated in that category for “Philomena”. AND she’s got Harvey Weinstein behind her, and the Weinstein Co.behind her.AND she’s going blind.

But I don’t think this will have any impact at all on the innocent party in this Cate Blanchett. If the Academy Awarded Roman Polanski, who really was at the center of HIS scandal from the ’70s, they’ll award Cate Blanchett who has nothing to do with this.

 

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Lupita wins at the SAG awards! Again!!!!

Lupita wins at the SAG awards! Again!!!!

Last night, I had a double-header, double-booked, my mistake and I chose to go to Broadway to see the “Carol King Musical” which is called “Beautiful” and it WAS beautiful. But more beautiful still was coming home to see Lupita Nyong’Os smiling face plastered all over the internet! The hot news being from the SAG Awards that she in ANOTHER surprise upset had won Best Supporting Actress for her heart-rending performance as the tradgic Patsie in “12 Years a Slave.” I also have finally figured out how to post pictures here! Yay!

It’s taken long enough dead readers, dear cineastes, but I’m tech-tarded, as you know and totally Old School in these new techo matters. But at last I think I’ve figured it out.I’m embarrassed to admit it but it’s true. The Internet is an EFFORT for me.

And also I have to be frank I just couldn’t bare to spend ANOTHER night in where “American Hustle” and Jennifer Lawrence were going to be applauded, and I was right. They were. She wasn’t. But Broadway beckoned and boyoboyo am I glad I went!

A+++ for “Beautiful”. The music! The performance by Jessie Mueller, a recent guest on my show for her Drama Desk Award nomination for Best Supporting Actress in a Musical for “The Mystery of Edwin Drood” in which she played an Indian princess named Lawless,Jessie was pitch perfect in both, and may very well win the Tony this year. She also played her own piano music! As Carole King did! Yes! She did!

They are portraying Carol King as the ultimate hausfrau schlep I’m sure she wasn’t in real life. But here the Ugly-Duckling-who-becomes-a-swan narrative worked liked gangbusters for the typical Broadway crowd,

Lupita is also living out that Ugly Duckling scenario in real life, it just occurs to me. Could her unwashed, scarred and scared Queen of the Fields, be further removed from Vogue’s “It” Girl which she has just morphed into. Her acceptance speeches are touching, beautiful, thoughtful and eloquent as she is. She looks SOOOO happy in this picture!

And for those who must know, this is a VERY strong step closer to Oscar. Next for Lupita is the BAFTA awards in London, and I’m sure she’ll win there, too.

Matthew McConaughey, Cate Blanchett and Jared Leto also repeated their Broadcast Film Critics wins. Seemingly all three locked for Oscar now. But HOLT ON!

Neither McConaughey nor Leto will win at the BAFTAS because neither were nominated nor was their film”Dallas Buyers Club”, although all were eligible. Which paves the way, and leaves the door wide open for “12 Years a Slave” to win Best Picture, Best Director, Best Actor Chiwetel Ejiofor(He’s Britsh, and so’s McQueen) , Michael Fassbender for Supporting Actor (he’s Irish) and of course Lupita who’s lovely Kenyan accent sounds British and African and American all at the same time. And for ALLLL of them to make speeches that may thrill Oscar voters right in the middle of the critical voting period. Cate Blanchett will also win at the BAFTA. As expected.

I chose to go to “Beautiful” because I just couldn’t face “AH” that tiny, weasly, little comedy win “Best Ensemble” which it did. But it’s awards glory may stop there. Remember “The Help” winning two years ago? Well….

This year it really ain’t over til it’s over.

Best Supporting Actress Oscar Nomination Predictions

Following on from my earlier Oscar Nominations Predictions here are my Best Supporting Actress nominations. 

This is the wacky category which is always unstable and where ALWAYS surprises turn up. Even to me. Like for instance last year Jackie Weaver getting nominated for “Silver Linings Playbook.” Even SHE didn’t expect it, she has said.

Why, in a rather weak performance, did she get in? Well simply put she was in a film every Academy voter was watching, to look at the other eventual nominees Bradley Cooper, Robert DiNiro and eventual winner Jennifer Lawrence, and they saw Weaver playing mother hen to all of them, and so out of sheer laziness, I feel, they just wrote her name down as well. Instead of looking at a separate DVD screener (even if they were sent one) on Magnolia Films Indie starring Ann Dowd.

Weaver replaced Dowd in the final Nomination line-up. Even though she was NOMINATED for a Broadcast Film Critics Award for Best Supporting Actress and WON the National Board of Review.

Weaver was also in a film the Weinstein Co. were pushing. As always, DON’T UNDERESTIMATE HARVEY!

So who does Harvey have in his Supporting Actress stable this year? Well, Julia Roberts, in the best performance of her career in “August:Osage County” so I think she’s in. And so are his other ladies, Opran Winfrey in “Lee Daniels The Butler” and also Octavia Spenser in “Fruitvale Station.”

Adding in Lupita Nyong’O’s breakout debut performance in “12 Years a Slave” and Golden Globe winner and last year’s Best Actress winner Jennifer Lawrence in “American Hustle.”

And 84-year-old June Squibb gets in for “Nebraska.”

Also, I don’t think the Academy can resist making history this year by nominating THREE African American actresses in the same category! That would be Oprah, Lupita Nyong’O, and former winner in this category Octavia Spenser.

ETA: I just realized I predicted SIX nominees! Well, that can’t be right!
Sorry! So who gets left out. Unfortunatley, it’s either Octavia Spenser, but because she’s got Harvey behind her, and he’s ALSO got to do some heavy lifting for Julia Roberts in this category AND Oprah, too, who surprisingly is not a slam dank(She didn’t get a Golden Globe nomination! SHOCK!). He may split his infinity here. And “Fruitvale Station” as worthy as it is, is NOT “Beasts of the Southern Wild.”Or Octavia gets in and June Squibb does not. Last year, Ann Dowd didn’t.

Editors Noms minus PGA Noms = Best Picture Oscar Nominees

The A.C.E Nominations for their Eddie Awards were announced yesterday. Oscar Goddess Sasha Stone of http://www.Awardsdaily.com has always maintained the nominations for Best Film Editing are more important than basically every other nominations when it comes to predicting and of course eventually winning, Best Picture at the Oscars.

This year I’ve tried to do a little adding and subtracting of my own here. Using the Producer’s Guild nominations of the Year’s Ten Best and minusing the A.C.E. Eddie nominees from them.

That leaves us with “American Hustle”, “Captain Phillips”, “Gravity”, “Her”, “Nebraska”, “Saving Mr. Banks”, “12 Years a Slave”, and “Wolf of Wall Street”. I think we can now safely assume that these eight films will equal this year’s Best Picture Oscar nominees.

So which Guild is stronger for the remaining “outliers” if you want to call them that. From the Eddie list, it’s “August:Osage County” and “Inside Llewyn Davis” finally turning up SOMEwhere in Guild land with Roderick Jaynes, who is the nom des plumes of both the Coen Brothers. Just FYI, the Academy’s Editing Branch doesn’t like the flim-flannery of this fictitious editor.

And the two films that got the PGA nods, but not the editors were, “Blue Jasmine” and surprisingly “Dallas Buyer’s Club.”

The Academy allows for at least five, and no more than ten nominees, which the Producer’s Guild goes for ten.

Of the remaining four films “Inside Llewyn Davis”, “Dallas Buyer’s Club”, “August: Osage County” and “Blue Jasmine” remain in Oscar Purgatory. With my guessing “Llewyn” and “Dallas” having better shots than the other two films.

The Coens have a dedicated fan base in the Academy, and despite “Llewyn”s lact of support in the other guilds, I can see it getting nominated for Best Original Screenplay, Best Cinematography (Bruno DelBonnell) who was just awarded for his de-saturated, wintry work by the New York Film Critics, and maybe Best Sound and Best Sound Editing, along with Best Editing(the aforementioned Roderick Jaynes) and possibly even Best Directing, too. As well as Best Picture. Never mind the musical categories…That’s actually a VERY big haul for this Little Film That Could. Only the over-crowded Best Actor field I think it’s reasonable to assume will leave the brilliant Oscar Isaac out. Though wouldn’t it be wonderful if he got in?

Where this truly leaves me scratching my head is the Big Fat Fact that means both “Her” and “Saving Mr. Banks” get in for sure for Best Picture…grrr…

And shockingly no “Philomena” ANYwhere!

Racists at New York Film Critics get a taste of their own medicine

There’s something about the esteemed New York Film Critics Circle that just breeds racists incidents, like the one that happened last night, or the night before when Black Director Steve McQueen was supposedly heckled by an African-American Film Critics Circle member, who was seated WAAAY in the back, but was nevertheless overheard as has been widely reported.

I read Scott Feinberg’s balanced analysis and reporting at http://www.thehollywoodreporter.com on this latest brouhaha over “12 Years a Slave”, the masterpiece out there that is causing as much of a ruckus as “Wolf of Wall Street.” In fact, this incident is so loaded that it’s pre-emptively absorbed all the controversy that has been hounding “Wolf”. So the discussion of the awards now surrounds this horrifying Incident, and the critic in question, whose name I’m withholding, just denied to Scott Feinberg, and maybe to others, that this ever happened.

Racial slurs and the F bomb were supposedly heard all hurled at Steve McQueen. Maybe they weren’t meant to be heard by all. I wasn’t there, so I’ll give the critic-in-trouble the benefit of the doubt, though thousands wouldn’t.

It’s a sad moment once again for the New York Film Critics Circle. They started off the season by showing their true WHITE colors, by voting for that sub-par semi-moronic comedy “American Hustle” Best Picture by a vote or two over the instant classic “12 Years a Slave.” They repeated this behavior in Best Actor where Chiwetel Ejiofor to “12 Years”lost to A VERY WHITE man, Robert Redford! Who last night bored everyone silly with his acceptance speech for Best Actor. You can see a horrendous video over at http://www.goldderby.com Tedious, self-serving, entitled, and you really wanted him to shut the front door.

But I digress.

The NYFCC also closed out Michael Fassbender and Lupita Nyong’O of “12 Years a Slave”,choosing MORE WHITE PEOPLE like Jared Leto and Jennifer Lawrence as the their Best Supporting Actor and Actress.

Lawrence had the good sense not to show up, and sent a funny note.

I knew, I just KNEW, that the NYFCC was going to reap the whirlwind for shutting out “12 Years a Slave” in every category, except Best Director. But then THIS incident that I referenced above ^ had to happen!

This isn’t over yet. Their credibility on this issue – race, has severely damaged their reputation as the leading critical group they once were.

And the last laugh of this, is that it’s made Steve McQueen MUCH more sympathetic in everyone’s eyes and is going to cause him to  get MORE votes and  win MORE awards, in a very tight race. Just you watch.

He was just nominated for the DGA Award today. REALLY an honor I have to say.

McQueen acted like he didn’t hear the F-bomb and the racial slurs. Class Act. He didn’t react or acknowledge it according to Feinberg.

Sometimes I think there is really something very dark behind the awards season, and this incident certainly illustrates that maybe indeed there is.

Oscar Shocker! PGA nominates no Weinstein films nor “Llewyn Davis”!!!

Color me shocked! The PGA, probably the most powerful Hollywood Guild these days, in terms of being an Oscar precursor nominated ten films but NONE of them from the Weinstein Co. Harvey’s head must be exploding this morning. No “Philomena”, no “Butler”, no “Long Walk to Freedom”, no “August:Osage County.” Also no “Inside Llewyn Davis” which really bums me out, having just seen it again last night and found it exhilarating.

This means none of those films will be nominated for Best Picture, most likely. But Harvey being Harvey won’t allow this situation to remain status quo. Watch “Philomena” his strongest film kicks out “Her” my guess. And for all the possible acting nominees from all these films, this is not good news either. Forest Whitaker, Oprah,Idris Elba, Meryl Streep, Julia Roberts, but probably not the great Judi Dench are all now officially on the ropes, vulnerable.

Harvey will just work harder. Which is what he does best. I can’t remember him having such a bunch o’ bad news.But nothing stops him. NOTHING. ONE of his films will get into the Academy’s top ten.

And “Llewyn”s being left out makes me very sad…

Below are the ten nominees. Thankfully “12 Years a Slave” is right where it should be. But surprisingly they nominated “The Wolf of Wall Street”!!! And the disliked “Saving Mr. Banks”!!! The power of Disney…And the super tech-y “Her” which I didn’t think would be to their taste. The Director’s Guild nominations are coming up too on Tuesday. Stay tuned.

Thanks to http://www.hitfix.com for this list ~~~And check out Kris Tapley’s EXCELLENT analysis on what all this means. Can’t wait for him and Anne Thompson to do their Oscar Talk podcast, but I’m guessing they’ll wait until after the DGA on Tuesday and BAFTA on Thursday. They’ll have one up next Friday I bet.

Kris, who like myself, is a big “Llewyn”/Oscar Isaac fan (as are Sasha Stone http://www.awardsdaily.com and Jeff Wells at http://www.hollywood-elsewhere.com) thinks there’s still hope for ILD with a lot of Coen Bros. fans in the Academy. If they nominated the less relatable “A Serious Man”, they’ll nominate “Llewyn Davis.”

Here’s the list below~

“American Hustle (Columbia Pictures)
Producers: Megan Ellison, Jon Gordon, Charles Roven, Richard Suckle

Blue Jasmine (Sony Pictures Classics)
Producers: Letty Aronson, Stephen Tenenbaum

Captain Phillips (Columbia Pictures)
Producers: Dana Brunetti, Michael De Luca, Scott Rudin

Dallas Buyers Club (Focus Features)
Producers: Robbie Brenner, Rachel Winter

Gravity (Warner Bros. Pictures)
Producers: Alfonso Cuarón, David Heyman

Her (Warner Bros. Pictures)
Producers: Megan Ellison, Spike Jonze, Vincent Landay

Nebraska (Paramount Pictures)
Producers: Albert Berger, Ron Yerxa

Saving Mr. Banks (Walt Disney Studios Motion Pictures)
Producers: Ian Collie, Alison Owen, Philip Steuer

12 Years a Slave (Fox Searchlight Pictures)
Producers:  Anthony Katagas, Jeremy Kleiner, Steve McQueen, Brad Pitt & Dede Gardner

“The Wolf of Wall Street (Paramount Pictures)
Producers: Riza Aziz, Emma Koskoff, Joey McFarland

 

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