a.k.a. "The Oscar Messenger"

Posts tagged ‘Alphonso Cuaron’

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Who gets Most Oscar Help from BAFTAS? Chiwetel Ejiofor, that’s who!

Who gets Most Oscar Help from BAFTAS? Chiwetel Ejiofor, that's who!

It certainly looks like “12 Years a Slave” is going to win Best Picture and Alfonso Cuaron is going to win Best Director if you judge by tonight’s BAFTA Awards in London. But we knew that already going in.

Who is helped the most in the top categories? It for sure is British Black actor Chiwetel Ejiofor who had his first win tonight for “12 Years a Slave” and his magnificent performance in it.

Leo DiCaprio was there. And he looked pretty pissed in the cut-away shots they showed of him. Just like George Clooney looked in the year he ALMOST, but not quite, had the BAFTA Best Actor in his grasp for “The Descendants” only to see French heartthrob Jean Dujardin win for “The Artist.” And Dujardin went on to win the Oscar, too..

Chiwetel could upset Matthew McConaughey’s Oscar apple-cart, that’s for damn sure.Leo is now oficically out. “Wolf of Wall Street” was shut out completely by the Brits tonight. And “Dallas Buyer’s Club”s two front-running(supposedly) stars McConaughey and Jared Leto were not even nominated in Bligthy. So they couldn’t compete here.

This gave Chiwetel a chance to give a beautiful, moving speech, which he did. So Matthew “Awright, Awright, Awright” McC. you better watch out!

But Jared Leto, you’re OK. They are not going to give the Oscar to first time actor Barkhad Abdi for “Capt. Phillips” who surprisingly won the BAFTA over Irish actor Michael Fassbender for “12 Years”. Leto looks set to continue his march to the Dolby, as does Cate Blanchett in Best Actress for “Blue Jasmine.” Who was pure class in her acceptance speech, not even mentioning Woody Allen, but instead dedicating her award to her late friend, Phillip Seymour Hoffman.

And what to make of Jennifer Lawrence WHO WASN”T EVEN THERE to accept her also surprising Best Supporting Actress win over favorite, the beautiful, brilliant Lupita Nyong’o for “12 Years.”?

Well, JLaw was snubbed last year for Best Actress by BAFTA who awarded Emmanuel Riva for “Amour” instead. JLaw was memorably filmed looking awfully embarassed as she was there to win, but stayed in her seat. So I think the BAFTA membership was making up for last year’s no-show. But Lawrence not wanting to repeat that awful faux pas. Didn’t even come. And she won.And she didn’t even BOTHER to come.

JLaw doesn’t have the momentum this year that the lovely Lupita does. And the Academy here is NOT going to give Lawrence ANOTHER Oscar when she got one last year. “She already won!” is what everyone is saying about JLaw’s skilled comic performance in “American Hustle.” So I think Lupita,, Vogue magazine’s “It” Girl, should be just FINE.

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And the Oscar Goes to…

And the Oscar Goes to...

Well, it’s a little premature to say that but that indeed is the name of the marvelous documentary by Jeffrey Friedman and Rob Epstein that was commissioned by TCM, Turner Classic Movie, for this marvelous month they have every year entitled ’30 days of Oscar.”

It started airing tonight and its essential viewing for all you Oscarologists out there. glamorous, gorgeous, sumptuous, moving, extremely well-costumed and all the adjectives in between “And the Oscar Goes to…” delights for its’ nearly two-hour length.

New to me, the fact that the Academy used to hand out its’ list of winners to the press BEFOREHAND until in 1940, the L.A. Times really jumped the gun and published that year’s information WAY too soon. Henceforth, AMPAS turned its’ tabulations over to Price, Waterhouse, now Price, Waterhouse, Cooper, the accounting firm that has kept the Oscars honest(and top secret) to this day.

Having an awards show without suspense is a rather dreary prospect, and since those days suspense has been an important ingredient in the Oscar season. VERY important. Who’s going to win? Is the big question that is on my mind and Sasha Stone’s mind, and Tom O’Neill’s mind, and David Poland’s mind all year long. And on Harvey Weinstein’s, too, I daresay.

So as we await the Writer’s Guild winners tonight, I can breathlessly say that yes, even mighty http://www.goldderby.com has changed its’ collective mind over what’s going to win Best Picture. Tom O’Neil agrees with Tariq Khan in one of their entertaining podcasts that they both think that “12 Years a Slave” is now going to win Best Picture. Which is what I’ve been saying ever since I saw it in Toronto.

Nothing is going to upset Cate Blanchett’s continuing March of Triumph to Best Actress. UNLESS something shocking happens at the BAFTAS in two weeks. Dame Judi Dench could upset there as the incredibly sympathetic “Philomena”. In fact, the BAFTAS could throw a monkey wrench into a LOT of Oscar campaigns. Like for instance, if Chiwetel Ejiafor wins there, and as a highly regarded British actor, he probably will for his historic portrayal of Solomon Northup, the black man who was kidnapped and spent “12 Years a Slave” prior to the Civil War.

Mathew McConaughey, and also front-runner in Best Supporting Actor Jared Leto, both Oscar nominated for their tremendous work in “Dallas Buyers’ Club” are not even nominated AT ALL for the BAFTAS, so neither can win. And if Ejiofor makes the Speech of Speeches which I think he will…look out, Matthew McConaughey!…

And Michael Fassbender could do the same thing, since he’s nominated,for Best Supporting Actor, and Jared Leto isn’t. Fassbender, of course, plays the evil slave owner Epps. And I’m just betting that the BAFTAS could turn the Oscar race upside own.

And Britisher Steve McQueen will probably win there as Best Director and not Alphonso Cuaron, who won the DGA award for directing “Gravity.” All three of these astoundingly talented men could win and probably will win at the BAFTAS.

So Oscar LOOK OUT!

And as everyone seems to be picking up on Lupita Nyong’O’s star continues to rise and rise in Best Supporting Actress.There’s nothing that can stop her. And I predict she’s a slam dunk for the BAFTAS, too.

So in this quiet period before the BAFTAS happen in London, treat yourself to “30 Days of Oscar” on TCM and don’t miss “And the Oscar Goes to…” Check out the full schedule at http://www.tcm.com

DGA & BAFTA Upsom Downs ~ Who’s In, Who’s Out as Oscar Nom Balloting Closes

The Phase I of Oscar Season, as it’s called closed today with the due date of the nomination ballots this afternoon at 3pm.

So it’s done. It’s over. And while everything seems like it’s set in Stone(as in Sasha Stone), is it really? There’s always surprises. Like for instance “Dallas Buyer’s Club” and its’ performers being totally shut out from BAFTA. Ditto Meryl Streep for “Best OverActressing” for “August: Osage County.” And Robert Redford for “Best Non-Actoring” in “All Is Lost.”

I remember soooo well my thinking that the notorious Melissa Leo was dead-in-the-Oscar-water, when SHE wasn’t nominated for a BAFTA for “The Fighter,” but guess what? She WON! So those rules don’t necessarily apply. However, someone like Jonah Hill’s being nominated NOwhere, means that’s where he’ll probably stay.

And it forecasts not very easy waters ahead for veterans Streep or Redford. Today it feels like someone. Probably Leonardo Di Caprio is going to take Redford’s place in THE FIVE.(in the tighttightight Best Actor race.)

The DGA nominated the directors of “12 Years a Slave”(Steve McQueen), “Capt.Phillips” (Paul Greengrass), “Wolf of Wall Street”(Martin Scorsese), “Gravity” Alfonso Cuaron and “American Hustle” (David O. Russell). I think we can safely say that all those five films WILL be nominated for Best Picture Oscar, when the nominations are handed out Tuesday morning. 8:45AM EST.

But what about the actors in those films? Well, they’ll all have an easier ride than those that aren’t in a DGA film.

So that’s good news for Chiwetel Ejiofor, Lupita Nyong’O, and Michael Fassbender, Tom Hanks and Barkhad Abdi, Leo, but not Jonah Hill, Sandra Bullock, and only perhaps Jennifer Lawrence from “American Hustle.”

Everyone else, except the winning frontrunner Cate Blanchett for “Blue Jasmine” is in doubt. Not serious doubt, but doubt nonetheless. I wonder if this hurts Bruce Dern’s chances, although he surely will get a nomination for “Nebraska” and also I wonder now about June Squibb…

And then in another universe entirely are the Weinstein films, all orbiting around their own sun, Harvey, who knows better than anyone in any world, how to bend the Academy to his will and the will of his FIVE films, or six, if you count “Ten Feet From Stardom.” I loved that movie and I bet that’s his big winner this year. It’s the wing-ding of a doc about back-up singers.

But he’s also got “Philomena”, “August:Osage County”, “Lee Daniel’s The Butler”, “Long Walk to Freedom” and “Fruitvale Station.” A workaholic (and who isn’t in the Oscar race?)Dame Judi Dench is probably in like flint for the grieving mother in “Philomena” and didn’t Harvey surprise us all by getting JACKIE WEAVER nominated for Best Supporting Actress for a non-performance of epic non-magnitude in “Silver Linings Playbook”? NOOOOOObody expected THAT.

And why, when she certainly didn’t deserve it, did she get nominated? Well, the Voters SAW her, when they went to look at “Silver Linings Playbook”. There she was playing Bradley Cooper’s mom and Robert De Niro’s wife, and lazy voters that they are, they wrote her name down(probably at Harvey’s suggestion) and a clearly not-winning performance, it was nevertheless a nominated one.

Who of those movies is no one talking about at all, esp. in Supporting, always a flibbertijibet of categories? Well, there’s Naomi Harris who is just terrific as Winnie Mandela, in what is clearly a leading role, in “Long Walk to Freedom.” But will enough people have watched that? There’s Margo Martindale, whose role in “August:Osage…” has been all but eviscerated but she has made an impact and is on many radars. And an obvious choice previous Supporting Actress winner Octavia Spenser for “Fruitvale Station” who was just awarded her Best Supporting Actress trophy tonight by the National Board of Review. So she’s not exactly obscure. Melonie Diaz for “Fruitvale” would be a VERY big surprise. She was just as good as the grieving girl-friend of the slain lead character…

And poor “Inside Llewyn Davis” left out in the cold…just like it’s leading character…and the break-out star of this year, Oscar Isaac…I think it could very well get a Best Picture, Best Original Screenplay and Best Cinematography and maybe Best Score and Song”Please Mr. Kennedy” or another song from “Llewyn.”

I loved Scarlett Johansson’s magnificent voice work in “Her” but aren’t there Academy rules against parts that are just voice-work? Maybe there are and maybe there aren’t. She’s never been nominated so THAT would be the surprise of surprises…And of course, Joaquin Phoenix would be a total surprise if he broke in Best Actor. But he did just that last year for “The Master” when everyone was counting him out(including me). So would the aforementioned Oscar Isaac and/or Michael B. Jordan for “Fruitvale” in Best Actor…And don’t forget Sally Field as Cate Blanchett’s lovable sis in “Blue Jasmine.” The Golden Globes included her in, and not Oprah. Could happen again.

We’ll just have to wait and see! But I can’t wait any longer!!!! I WANT TO KNOW NOW!!!

L. A.Film Critics also ignore “12 Years” but Award Lupita Nyong’O Best Supp.Actress

Once again. “12 Years A Slave” has been dealt a body blow in this awards’ season. The VERY influential Los Angeles Film Critics only awarded the brilliant Lupita Nyong’O, which is great news for Hollywood’s newest star, but bad news for “12 Years a Slave.” I am shocked, SHOCKED that the usually cutting-edge LA Film Crix went for “Gravity” and “Her”! In a tie! Yes! A tie!. In fact, there were three ties!

Best Picture – “Gravity” tied with “Her”.

Best Actress – Cate Blanchett tied with Adele Exarchopoulos of “Blue is the Warmest Color”

And Best Supporting actor tied :Jared Leto and James Franco for “Spring Breakers”!!!

A motley crew.

But this is a very important win for Lupita Nyong’O and congratulations to her.

But very bad news for “12 Years A Slave.” It is now officially NOT the front-runner for Best Picture anymore. I’d say “Gravity” is, if anything.

The Boston Film Critics and the New York Online Film Critics both awarded “12 Years” heavily in many categories…

Though strangely Michael Fassbender is ending up NOwhere. That’s not a good sign. And though the NYFCO and the BFC are nice to have and all that, it’s the LA Film Critics that are a one-two punch of “12 Years”, I’m sorry to say.

But looking at the all these critics awards you can see that this year’s Oscars are all over the place. Literally.

Also not turning up is Martin Scorcese’s just finished three hour “Wolf of Wall Street”. It’s still so new Jeff Wells is reporting at http://www.hollywood-elsewhere.com that many in Boston did not get a screener in time. Or couldn’t make a very last minute screening.

I feel just awful for “12 Years…” It’s a masterpiece and I can’t believe that it’s anything but racism animating its” exclusion. If that’s the case and even CRITICS are shying away from advocating for it. Then the award it’s likely to win is indeed Best Supporting Actress for Lupito Nyong’O. As I’ve said before, it’s the Booby Prize of the Oscars. They look at the Best Supporting Actress award rightly or wrongly as a throw away. As a less than important category and if they are not giving “12YAS” anything else, they KNOW they have to give it something and Best Supp. Actress is a place where they will feel most comfortable awarding it.

An equivalent situation occured two years, when African-American-themed box-office winner “The Help” won ONLY Best Supporting Actress for Octavia Spenser.

So I do think the LA Film Critics is indicative in that case.

They also importantly gave Best Director to Alphonso Cuaron for “Gravity.” Steve McQueen, thank god, won the New York Film Critics Award for Best Director, but that was it.

Also notably absent from all of this was Tom Hanks and “Captain Phillips”. Nowhere to be seen. Sunk without a trace. Leaving that fifth Best Actor slot now open for maybe Oscar Isaac in “Inside Llewyn Davis” or Michael B. Jordan in “Fruitvale Station” or most likely Leonard DiCaprio for “Wolf of Wall Street.” I can’t believe I’m typing these words, but I am. “Llewyn Davis” has opened this week to doing tremendous box-office and Leo has never won an Oscar, unbelivably.

If you read Jeff Wells and Tom O’Neil over at http://www.goldderby.com , they BOTH LOVED “Wolf of Wall Street”to the max.

Cate Blanchett seems to be storming across all awards-giving bodies in Best Actress for “Blue Jasmine.” And also not registering anywhere is “Saving Mr. Banks” which I’m seeing tomorrow night.

I suffered through “Out of the Furnace” because it SEEMED Christian Bale might turn in a possibly nominatable perforrmance. But he didn’t. I didn’t see much hope for any awards for this hard-scrabble violent film.

But Emma Thompson WAS nominated for Best Actress for “Saving Mr. Banks” by the National Board of Review.

Both the NBOR AND the LA film critics gave Best Actor to Bruce Dern! For “Nebraska” And the NYFCC gave that other spry 77-year-old in the race, Robert Redford Best Actor for “All Is Lost.”

The only across the board unity seems to be Cate Blanchett in Best Actress and also, surprisingly Jared Leto in “Dallas Buyers Club” for Best Supporting Transvestite.

And Sandra Bullock has floated into outer space with nary a mention.

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