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Posts tagged ‘A.C.E.’

“Grand Budapest”, “Boyhood” Win A.C.E.Eddies. “Birdman”s momentum stopped

Gustav H. & ZeroThis is certainly the bumpiest road to Oscar I have ever seen. The Race┬áhas taken ANOTHER severe, right-angle turn, with “Boyhood” and “The Grand Budapest Hotel” winning the A.C.E. Eddie awards last night. Effectively stopping “Birdman”s new- found momentum from last weekend’s the PGA and the SAG Award in its’ tracks.

Why? The Film Editors are considered the most important voting group after the MASSIVE Actors Branch and Guild (who dominate and who gave out its’ SAG awards last Sunday) and for “Boyhood” it was a very, very important turn-around in fortune, and for “Grand Budapest Hotel” too.

A.C.E. is the organization that represents the Editors Guild. Which has a lot of members as opposed to the Academy’s Editors branch, which is smaller and more elite. And the Eddie is the name they call their award.

It broke down like this ~ Best Edited Feature Film, Dramatic, “Boyhood” Sandra Adair.

And Best Edited Feature Film (Comedy or Musical), “The Grand Budapest Hotel” Barney Pilling.

This means that “Boyhood” is still very much in the race, with “Grand Budapest” nipping at its’ heels. “Grand Budapest,” you may remember got an equal amount of Oscar nominations (nine) to “Birdman.”

“Birdman,” of course, has those long(some would say ENDLESS) tracking, stedicam shots, which makes the film look like it isn’t edited, but of course, it is. It wasn’t shot in one, long, continuous take. But it was meant to look like it was… which is kind of an anti-editing stance, if you think about it.

And “Boyhood” shot over 12 years…can you IMAGINE the Degree of Difficulty of editing THAT much footage into something watchable? Of course, some could say that didn’t happen. That it’s a mess rather than a melange.

And “Grand Budapest” has all those nifty, changing aspect ratios. Of these three films, “Grand Budapest” is still far and away my favorite. But a shift of momentum, for “Boyhood” to “Birdman” is now NOT officially happening. At least according to the all-important editors.

Next stop, BAFTA! Where “The Theory of Everything” will probably sweep.

Editors Noms minus PGA Noms = Best Picture Oscar Nominees

The A.C.E Nominations for their Eddie Awards were announced yesterday. Oscar Goddess Sasha Stone of http://www.Awardsdaily.com has always maintained the nominations for Best Film Editing are more important than basically every other nominations when it comes to predicting and of course eventually winning, Best Picture at the Oscars.

This year I’ve tried to do a little adding and subtracting of my own here. Using the Producer’s Guild nominations of the Year’s Ten Best and minusing the A.C.E. Eddie nominees from them.

That leaves us with “American Hustle”, “Captain Phillips”, “Gravity”, “Her”, “Nebraska”, “Saving Mr. Banks”, “12 Years a Slave”, and “Wolf of Wall Street”. I think we can now safely assume that these eight films will equal this year’s Best Picture Oscar nominees.

So which Guild is stronger for the remaining “outliers” if you want to call them that. From the Eddie list, it’s “August:Osage County” and “Inside Llewyn Davis” finally turning up SOMEwhere in Guild land with Roderick Jaynes, who is the nom des plumes of both the Coen Brothers. Just FYI, the Academy’s Editing Branch doesn’t like the flim-flannery of this fictitious editor.

And the two films that got the PGA nods, but not the editors were, “Blue Jasmine” and surprisingly “Dallas Buyer’s Club.”

The Academy allows for at least five, and no more than ten nominees, which the Producer’s Guild goes for ten.

Of the remaining four films “Inside Llewyn Davis”, “Dallas Buyer’s Club”, “August: Osage County” and “Blue Jasmine” remain in Oscar Purgatory. With my guessing “Llewyn” and “Dallas” having better shots than the other two films.

The Coens have a dedicated fan base in the Academy, and despite “Llewyn”s lact of support in the other guilds, I can see it getting nominated for Best Original Screenplay, Best Cinematography (Bruno DelBonnell) who was just awarded for his de-saturated, wintry work by the New York Film Critics, and maybe Best Sound and Best Sound Editing, along with Best Editing(the aforementioned Roderick Jaynes) and possibly even Best Directing, too. As well as Best Picture. Never mind the musical categories…That’s actually a VERY big haul for this Little Film That Could. Only the over-crowded Best Actor field I think it’s reasonable to assume will leave the brilliant Oscar Isaac out. Though wouldn’t it be wonderful if he got in?

Where this truly leaves me scratching my head is the Big Fat Fact that means both “Her” and “Saving Mr. Banks” get in for sure for Best Picture…grrr…

And shockingly no “Philomena” ANYwhere!

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