a.k.a. "The Oscar Messenger"

Heidi 1“The Heidi Chronicles” closing on Broadway on Sunday is a crime! I just saw it for the SECOND time last night, and enjoyed it all over again. I RARELY, as you know, dear readers, RETURN to revisit a show, especially in this high Drama Desk season, but I’m so glad I did.

The cast was very relaxed and giving and warm, warm, warm and funny, too, as the late Pulitzer winning playwright Wendy Wasserstein was in real life.

Insightful, witty, observant, and yes, timely, too, I do feel that Wasserstein’s “Heidi” is not dated at all and is as relevant today as it was then when it opened to great critical acclaim in 1989. It won the Pulitzer and also the Tony.

And I saw the original production, but I liked this one much better. The performances of Elizabeth Moss in the title role and the redoubtable Bryce Pinkham as her gay best friend were both awards-worthy, and thankfully Moss has been nominated for a Tony for Best Actress. Pinkham however was not, although he did get an Outer Critics nomination for Best Featured Actor in a Play. The Drama Desk ignored it completely.

I wonder if the shows’ unexpected, premature closing had something to do with the unjust lack of awards consideration “Heidi” has gotten.

Elizabeth Moss was simply magnificent last night, shining like a golden  sun and immensely relatable as the hapless heroine Heidi. Moss’ monologue ending with the famous line “I feel stranded” was a bravura tour-de-force of the highest order.

And Pinkham held his own in a 360 degree turn from his usual villainous musical rogues (“A Gentleman’s Guide to Love and Murder” and “Ghost”.) as a very warm, relatable doctor. His Dr. Peter Patrone goes from campy to bitchy to saintly in an arc than every gay man was experienced since the ’60s, ending with yes, a penultimate scene dealing with AIDS in the late ’80s. The  hyper-versatile Pinkham captures every nuance, pulse and throb of pain and joy that Peter undergoes.

The house was packed last night. The audience applauded every scene. That’s something that rarely happens with a straight play.

I urge you to try to see “Heidi” before it closes on Sunday. Maybe there will be enough of a demand to see its’ beautiful life extended.

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