a.k.a. "The Oscar Messenger"

Theory2Theory 1

Well, it had to happen. Jeff Wells of Hollywood-Elsewhere, arguably the biggest supporter of “Birdman” now admits that yes, as I said all along since I saw it in Toronto, that Eddie Redmayne could very well topple Michael Keaton’s front-runner status for the Best Actor Oscar!

I couldn’t believe I was reading this because Jeffrey has been such a staunch admirer of Keaton, but all along I’ve been on Team Eddie!

What he has to do in “The Theory of Everything” as the severely crippled British genius Stephen Hawking in terms of the great Oscar determinator “Degree of Difficult” is off the charts amazing.

Disabilities, when they are as well and as feelingly portrayed as they are in “Theory of Everything,” are catnip to Academy voters and especially the dominant Actor’s Branch. But this will appeal across all branches.This film has Triumph of the Human Spirit written all over it.

It’s exhilarating. Inspirational to the max. When I think there’s something I can’t do these days, I just think of what that OTHER Stephen has had to go through all this life, and well, it just encourages me to struggle on.

And Jeff Wells writes about this feelingly in his latest posting, quoting David Denby’s elegiac, rapturous review of Redmayne’s performance in this week New Yorker.

Check out what Jeff had to say here at http://www.hollywood-elsewhere.com

I never thought he’d admit it in print, but realist that Jeff is, he did.

I think the recently reconstituted Focus Features is doing this just right for Redmayne and “Theory,” just as I hoped they would.

There was a lovely piece on Redmayne and Felicity Jones, who plays his devoted wife, Jane,and who may also be in line for an Oscar Nomination of her own, in the New York Times, at just the right moment that it should be this past week.

This film is also an amazing love story on top of everything else. Based on Jane’s memoir, it is the story of both their battles, and her dedication to her husband in spite of EVERYTHING. Or because of EVERYTHING is just awe-inspiring. As is this film.

It’s hands down the Best Film of the Year, and I am so glad I saw it at the Toronto Film Festival in September.

If you put Stephen Hawking on the one hand and try to balance it on the other hand with a portrait of a self-absorbed asshole of an actor (Birdman) well, guess which way the awards’ scales tip?

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