a.k.a. "The Oscar Messenger"

I just HAVE to write more about “Vertigo”s great ascendance to being named “The Best Film of All Time” by the British film mag “Sight and Sound.”

I first saw “Vertigo” in college. At a special stand-alone screening. That was introduced by a film “expert,” a professorial type, who made sure everyone got “notes.” It was like he was TEACHING this film. This I thought was ludicrous. Since when did they TEACH movies? Movies were just something you went to and enjoyed or not enjoyed. That was it.

Yes, that shows you how long ago this was. Back, waaaaaaaaaaaaaaaaaaaaaaaaaaaaay back before the dawn of film schools. It was my first film lecture. And I was eager to go, because it was a Hitchcock film that was new to me, that I had never even heard of.

And this eager older gentlemen seemed so earnest in his presentation, I remember. It was like we HAD to understand “Vertigo” HIS way.It was a “Very special film” and it “was not received well by critics when it first opened.”

And I remember he laid special emphasis on the scene in the bookshop where James Stewart and Barbara Bel Geddes went to find out about the history of Carlotta  Valdez, the mystery woman from the past, whose portrait Kim Novak’s character, Madelyn, keeps returning to gaze at, at a museum.

This guest lecturer, who was brought in from elsewhere, and who was NOT a teacher at my school, wanted us to particularly note how increasingly DARK that scene became, as the bookstore-keeper who reveled in San Fransisco history, kept talking and talking about just how tragic Carlotta Valdez’ life was. And the darkening room lighting, when it was not dark at all outside,( It was the middle of the afternoon. Out the window you could see bright sunshine),was Hitchcock’s way of ominously emphasizing how dark the film was going to get. And of course, it did.

He wanted us also to notice how Midge, the Bel Geddes character, was always surrounded by light. indicating mental and physical health and common sense. This meant(I can’t believe I remember all this!) that she, Midge, was the one we were supposed to listen to.  And Stewart and Novak, of course, were not, and they were often enveloped in fog.

I think it was unequivocally both Stewart’s and Novak’s career-best performances.

I remember that lecture situation to this day.It was such an anomaly back then. To see a film, as a subject for a lecture. It was treated as a Special Event, and it was shown at night. It was not part of my theater curriculum.

I guess it made a lasting impression, remembering it all these years later. I guess I was a cinephile even then. I didn’t know that but I knew I always loved Alfred Hitchcock’s scary movies.

And I remember that it was the first time I had ever seen “Vertigo.” And so when the climatic turn of events began to unfurl, and the TWO dives off the Spanish mission, San Juan Bautista’s bell tower occurred. I was utterly shocked and screamed bloody murder. Especially at the end. For those two of you who have never seen it, I’m not going to reveal it here.

But I guess suffice it to say, that that incredible short scene that ends the film is like being scared to death by nuns.

In one of the interviews which I started to look up last night on You Tube on Hitchcock, it was revealed that Hitchcock was taught by Jesuits. So he must have been Catholic. Something I did not know, and something that is barely mentioned in the immense amount of scholarly film criticism that has been heaped upon him and his ouevre and rightly so, since then.

And since I came to that first screening of “Vertigo” back at URI, the University of Rhode Island, where I had the misfortune to be an undergraduate in THEATRE(but that’s ANOTHER story) I remember how profoundly moved and shaken and absolutely scared to death I was by that double-twist ending.

I remember feeling just awful for Kim Novak’s character, Judy. And for James Stewart, too.

In his famous interviews with Francois Truffaut, of which there are podcasts available online somewhere…or there WERE…I remember Hitchcock not wanting to talk about “Vertigo.” I think he said something like “Mistake! Mistake! The film didn’t work!” and Truffaut asked in French through the translator “Why?” and Hitchcock said “The man was too old.” Meaning James Stewart, the policeman who had to retire because he had vertigo. Hence the title.

How wrong Hitchcock was!

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