a.k.a. "The Oscar Messenger"

German actress Diane Kruger absolutely KILLS as the doomed Monarch in “Farewell, My Queen” the hot new LESBIAN re-thinking of Marie Antoinette’s final days as the French revolution was about to engulf her. Here’s a wonderful interview with Diane and I hope that although she’s acting in French, the Academy will consider her for a nomination for Best Actress(she’s playing the title role, after all) or Supporting, since her handmaiden Lea Seydoux is really the central character of the film Seydoux, the gamine whom Owen Wilson ends up with at the end of “Midnight in Paris” also shines, but it is Kruger who speaks perfect English with an American accent yet. And whom the Academy is familiar with.

I think Best Actress is a wide-open category at this point. If the French get the ball rolling and choose it as their Best Foreign language selection, it could very well get a slew of nominations. For sure, Best Costumes. And Diane is the one who is most familiar to the Academy since she ALMOST got nominated for “Inglorious Basterds” playing a glamourous German actress/spy. She had the misfortune of splitting that film’s Supporting Actress vote with Melanie Laurent, who was also breaking out in that film as Shoshanna, the Jewish freedom fighter. Will she? Won’t she? We shall see…

In any case, it’s the perfect antidote to the summer overload of ComicBookBlockbusterSuperHero movies. I can barely tell them apart. I thought “The Avengers” was just plain BAD, and was sorry I coughed up the dough to see it. I felt robbed. And THAT crap makes $600 milllion?

But “Farewell, My Queen” is the only really wonderful Oscar-y movie that’s Opening in this Summer of Hell, where the temperatures in New York are hitting 100 degrees Every. Single. Day.

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