a.k.a. "The Oscar Messenger"

Archive for January, 2012

“The Artist” Jean Dujardin & Hazanaviscius win London Film Critics!

Well, the accolades just keep piling up for “The Artist”! The London Film Critics Circle(not to be confused with BAFTA!) just named “The Artist” as Best Picture of the Year and Best Actor Jean Dujardin for “The Artist.” Michel Hazanviscius was named Best Director and Meryl Streep tied with Anne Paquin of the barely distributed “Margaret” for Best Actress!

Kenneth Branagh won Best Supporting Actor for “My Week with Marilyn” and Sareh Bayat of “A Separation” won Best Supporting Actress for the Iranian Film “A Separation” which keeps piling up the kudos.

Now THAT would be a real surprise and a possible game changer if Bayat ended up in Best Supporting, out of nowhere, but in an acclaimed film, which is probably going to win “Best Foreign Film” like it did at the Globes and the Broadcast Film Critics.

You can read all about it at www.indiewire.com

And that one more BIG Best Actor Award for the charming Dujardin. Could this pre-sage his winning BAFTA, too? Stay tuned!

Oscar God Dave Karger of EW speaks out!

Well, my own personal choice for Oscar God, Dave Karger, is speaking out all over the place. He’s turning up on www.goldderby.com chatting with Tom O’Neil about Best Picture and Director and he’s on a podcast at the Hollywood Reporter talking about A LOT of things Oscar with Scott Feinberg www.thehollywoodreporter.com

Thx to poster Sia for sending me their podcast which was very interesting. Until it kept disconnecting itself. Grrr…but I got most of it. It was fascinating.

OGDave, ever polite, to both Feinberg and O’Neil and always measured in his responses, has to, in the back of everything, justify that OUTrageous gaffe of a cover Oscar Race issue of EW, a couple of weeks back, with George Clooney and Viola Davis looking and acting like they already won! What nerve! And how precipitous if not downright presumptive of them both, and of  course, EW, too. And of course, comes the Globes this past Sunday and Meryl Streep wins! George does, too, but ouch! For Viola losing, and making that cover invalid! Just, OUCH!

I think neither of them are going to win. George already has an Oscar and even O’Neil in ANOTHER Skype-like podcast(yes, with pictures) admits that he thought Le Clooney’s speech was more like Le Clown-ey. “Missed opportunities! Missed opportunities!” O’Neil said that also about presumptive Supp. Actress winner Octavia Spencer. “It was a list! It was just a LIST” bemoaned Our Tom. And of course, he’s right.

Tom thinks like I do that Michelle Williams is the upset winner and Dave Karger, in his podcast with Scott Feinberg even admitted that “in the case of a close vote, there can be a split, and a third party gets through.” He was saying this to Feinberg in relation to Viola Davis winning the BFCA and Meryl winning, the much more highly viewed Golden Globes, on NBC.

Our Dave was sweating a little there, I thought. And it’s all very interesting, because these men, live and breathe Oscar, well, just like you and me, dear readers, dear cineastes.

Tom O’Neil created this whole Internet Oscar game we are all now so invested in. And Dave Karger is certainly one of the best. Dave and I and also, possibly, Anne Thompson www.indiewire.com

last year were the only ones standing by “The King’s Speech” and our conviction that is was going to win and win BIG was not the popular choice at this time last year.

Tom, and Scott both ask Dave if he thinks that “The Artist” is still way out in front, and Dave says “Yes, it is.” End of story. It’s a “Slumdog Millionaire” slam dunk. But Dave hedges to both Tom and Scott that he doesn’t think it’s going to “sweep the guilds like ‘The King’s Speech’ did last year, where it won everything.”

He’s talking about the upcoming PGA, which is when SUDDENLY TKS started winning everything. That was such an exciting day for me!The PGA is the Producer’s Guild and they announce this Sunday, I think.

I was fortunate enough to have gotten to Colin Firth AND Tom Hooper FIRST at the Toronto Film Festival  Sept. 2010, and told them the Oscar news as I saw it,  which is when Tom named me “The Oscar Messenger,” and the name, as you all know stuck, and I was right! He won! And so did “The King’s Speech!”

And yes, I agree with Dave that “The Artist” is going to win Best Picture, and he doesn’t really see anything stopping it, unless “Tate Taylor(“The Help”) gets a Best Director nomination,” which would be coming from the VERY exclusive Director’s Branch of the Academy. I don’t see that happening.

Tom brings up the chance that Woody Allen’s “Midnight in Paris” could upset everything, and Dave literally pooh-poohs that onscreen, in the politest way possible, of course. Dave is nothing if not a gentleman.

When pressed by Scott Feinberg about Supporting Actor, he gets Dave to admit “it’s all over the map,” (except for Christopher Plummer winning) which is what I posted yesterday. Were they reading my blog? I hope so. Let it also be said that despite our violent dispute over Melissa Leo last year, Scott was an always agreeable and friendly presence on the awards circuit. And so far he’s the only one who has been nice enough to link to this blog. Again, thank you, Scott, for that.

But now with his new job at The Hollywood Reporter as THEIR Oscar guy with “The Race” and “Feinberg and Friends,” which is where the podcast I’m speaking of was located, he’s like a steam roller in his enthusiasm and energy and STATISTICS about the Oscar race. He’s very young, not long out of college, if truth be told, and so last year OF COURSE he was going to side with “The Joy of Typing.” It was about the Internet! Of course, it was going to win!

And I always countered with the fact that a large portion of Academy are barely online. Hence their WTF reaction to it.

The stuttering King of England, now THAT they could understand!

Tom keeps Dave and his conversation limited to Best Picture and Best Director and will probably cover the other categories before the Nomination Morning of Tues. Jan. 24.  But I thought one of the most interesting observations of Dave’s was to Tom, about Best Director, that Martin Scorcese won too recently (for “The Departed”) to win again for “Hugo” as he did on Sunday at the Globes.

And Dave does emphasize that the Broadcast Film Critics AND the Globes’ HFPA have NOTHING to do with the Academy, as I’ve been saying all along. They are PRESS. And NONE of those people are Academy Members.

Compassionate Dave seems to listen to all  the members of the Academy that he can. Whereas I think Scott, because he’s so young himself, listens to people his own age. Most of whom are NOT members of AMPAS, and if they are they are in the minority.

I myself here in NYC do not sense any kind of overwhelming love for “The Help” which Scott and Dave(that cover again) and to a lesser extent Tom said they feel ~ out in L.A. It’s a different world out there, granted. But here, if I had to say anything could surprise “The Artist”, it’s “Midnight in Paris.” I keep hearing how much everyone LOVES it here. And I hear that LOVE expressed about “The Artist,” too.

And one of the most interesting things Dave says about “The Bridesmaid” topic(it keeps turning up like the proverbial bad penny) is that he thinks Kristen Wiig is going to get a screenplay nomination and that “If anyone can upset Octavia Spencer in Supporting Actress, it’s Melissa McCarthy”!!!! From “Bridesmaids”!!!

I don’t think, and Stu Van Airsdale of www.movieline.com thinks that she’s even going to get nominated.

And on another note, Glenn Close had an hour-long interview about her career on PBS. And when they showed a clip of her as Norma Desmond in Andrew Lloyd Webber’s “Sunset Boulevard”, it just took my breathe away at how wonderful she was in was probably her finest hour. Now if only they’d make THAT into a movie! She won the Tony for that too, in a walk, and she deserved it.

As Oscar Gets Nearer & Nearer, Supporting gets more Cloudy, Not Clearer

With the Oscar Nominations getting nearer and hearer, next Tues, less than a week now, some things are getting more and more cloudy, not clearer. We seem to THINK we know who the winners are going to be(and maybe except for Best Actress) everybody may be right. Or ARE they?

Christopher Plummer is going to win Best Supporting Actor. We’ve know this since May. But who is going to be nominated alongside him? And does it really matter? Well, it matters to those of us who are Oscar-obsessed, which means YOU since you’re reading this. And moi, aussi, of course.

Yes, to Kenneth Branagh as Sir Laurence Olivier in “My Week With Marilyn.” BUT everybody else in that category is a maybe, and this is one of the several main categories where there are going to be surprises. In the nominations. Not the winners. Or maybe the nominations will REALLY shake things up!

The suspense is killing me!

Will Jonah Hill of “Moneyball” get nominated for a mediocre performance at best? Is THAT an Academy Nomination?An “Academy Performance” No, it’s just a very big part( who is standing next to Brad Pitt) and played by an actor who we thought couldn’t do that. Even as meagerly as he did it…

Mark Harris of www.grantland.com has done a marvelous job of parsing all this as of course the great Stu Vanairsdale at www.movieline.com They both are essential reading at this point.

Mark Harris brings up the interesting “Norbit” plot-line. Arguably it was the release of “Norbit” a critically reviled low comedy right in the middle of Oscar voting that killed Eddie Murphy’s win for Supp. Actor for “Dreamgirls”. But HE was already nominated when this happened. Jonah Hill has not even been nominated YET and “Norbit”-like bomb “The Sitter” in which he stars, is playing at a theater near YOU.

Could that knock him out of contention? It could.

So could the lack of interest in “Warrior” knock Nick Nolte out in the prize-fight movie that critics raved about but no one went to see. Will the Academy Voters, so busy at this time of year, have the time to watch “Warrior” ONLY for a Supp. Male Performance possibility? Nobody’s claiming he will win this.

They’ll PROBABLY watch “Drive”. But with no SAG nomination for Albert Brooks, another comedian-turned-actor this season, and now, SHOCKINGLY no BAFTA nomination, will Brooks get left out too? Are Brooks and Jonah Hill too “samey” as they used to say in England.

WHO could replace them? Well, Armie Hammer who DID get a SAG nod for his moving turnas Leonard DiCaprio long-term lover in “J.Edgar” They will have watched “J.Edgar” Whether they like it or not is another question. ME? I LOVED it. It was on my Ten Best List.  As was “Drive” come to think of it.

Armie could benefit from “J.Edgar”s seeming lack of support in other major categories, though I do think “J.Edgar” COULD surprise,too. It’s Clint after all. Clint Eastwood. And they LOVE Clint.

So surely could Corey Stoll as Ernest Hemingway in “Midnight in Paris” Stoll’s beautiful, nuanced, scary performance in a film that is very likely going to be nominated for Best Picture, Best Original Screenplay (it’s been winning that award all over the place, BFCA, Golden Globes, etc) AND Best Director, so surely could not this momentum sweep in at least ONE actor in “Midnight in Paris” gigantic, superb ensemble?

Jeff Wells, whose site www.hollywood-elsewhere.com is essential reading, too, has been going on and on about Stoll’s excellence, and how he wasn’t even AT the Golden Globes. Woody was a guaranteed no-show. They had room for Corey. But no. They didn’t.

I’m thinking that they Academy might, however. Knowing Stoll’s work for YEARS on the NY stage, I know what  a powerful, deep acting talent he has. Maybe the Academy will sense that, too. And the NEW YORK-based Academy Members who attend the theater regularly(and they all do) will know Stoll’s work too.

SOME member of the cast of “Midnight in Paris” should be honored. And if it’s anyone it’s him.

Then there’s the problem of “Extremely Loud, etc. etc.” ELAIC and the mute Max Von Sydow. He could sneak in here, too. I was at an Academy screening and he got a terrific amount of applause at the end credits when his name came up. The NY  audience I saw it with also, seemed to like it. Or liked some of it. The subject, 9/11, was not something most of these people wanted to see re-visited.

But who got the most thunderous applause for that film? Thomas Horn, the young boy who plays the lead. Now THAT would be a big surprise. And the Academy has a history of honoring children in leads in Supporting. See Hailee Steinfeld last year…And Horn surprised by winning “Best Young Actor” at the Critics Choice Awards(the BFCA) just last week.

And then there’s the always nominatable Sir Ben Kingsley in the much-liked “Hugo.”

THREE surprises in the Supp. Acting category nominations? Impossible you say. But this has been a very difficult year to predict. In some categories, and this is one of them.

And the Supporting Actress category would be blown wide open by the entrance of Vanessa Redgrave for “Coriolanus” and also, incredible as it may sound, Dame Judi Dench as Dame Sybil Thorndike in “My Week with Marilyn.” Yes, and Dame Judi got a BAFTA nod. Vanessa did not. But the PERFORMANCE!!! TOWERING!!! And Degree of Difficulty ~ Shakespeare.

Vanessa has been nominated for NO precursor awards so far.NO-thing. Nada.Zilda. But if she did she would land like a bomb exploding all expectations so far. And if BOTH she and Dame Judi made it in. Impossible, you say? But both Redgrave and Dench are in WEINSTEIN CO. movies.

I rest my case.

More about the other categories soon

Sexy Michelle Williams pix in GQ! WOWOWOW!

And now it’s Michelle Williams who is turning up the heat on the cover and inside the latest issue of GQ! WOWOWOW! I have to say those photos of her are provocative, sexy and also glamorous! Something the Academy is ALWAYS looking for. You can see them at www.awardsdaily.com which even Oscar Goddess Sasha Stone has to admit are a shot in the arm to Michelle/Marilyn’s Oscar campaign.

Her competitors are all mature women(Streep, Davis, Close, Swinton) and none of them are going to be represented with a pictorial like THIS! NEVER has Michelle looked sexier!

And this comes on the day she’s also just been nominated for a BAFTA award for Best Actress and “My Week with Marilyn” is nominated for five others awards, too.

Best British Film, Best Supporting Actor, Kenneth Branagh, Best Supporting Actress, Dame Judi Dench, Best Costumes and Orange Rising Star, Eddie Redmayne.  It got sixTEEN mentions on the BAFTA Long List.

It was not however nominated for Best Picture, but “The Artist” was. And once again, “The Artist” got the most nominations of any other film.

So nothing, really, can stop it now.

And I keep saying “Don’t be surprised if ‘My Week With Marilyn’ turns up as one of the Best Picture nominations when the Oscar line-up is finally announced a week from today.

With the new system of having it list your favorite FIVE pictures and the NUMBER ONE vote counting more heavily than it ever has been before, I can easily see “My Week with Marilyn” STUNNING everyone on Oscar morning.

And like Marion Cotillard before her, Michelle could win the Bafta, then win the Oscar, too! There’s a precendent for this!

It was my #1 Film of the Year! That’s my choice and I’m sticking to it! Go, Michelle!

When she turns on the sexy, she blows everyone out of the room! WOW!

Golden Globes Winners! “The Artist”! Jean Dujardin! Michelle Williams!

The Golden Globes SUDDENLY came alive in the last half hour when the big awards were given out, and “The Artist” won Best Comedy/Musical and Best Actor Jean Dujardin! Michelle Williams also won Best Actress in a Comedy/Musical for her beautiful performance as Marilyn Monroe in “My Week with Marilyn.”

Harvey Weinstein and the Weinstein Co. had a very big night because all these films were his! And Meryl Streep won for Best Actress for “The Iron Lady.” Which was also a TWC movie!

I was DEEEE-lighted with Jean Dujardin’s win and his absolutely disarming,charming, funny acceptance speech in his heavily French-accented English. He had a written speech on a small piece of paper that he referred to so that he didn’t say something in French that the public might not understand, then he ended with saying he was going to quote Douglas Fairbanks and then did it IN SILENCE! Mouthing the words, then winking at the audience and flexing his muscle as Fairbanks certainly would’ve! He brought down the house! Some people thought he, too, was being bleeped, but NO, he was MIMING! HI-larious!

Ludovic Bource who won for Best Score for “The Artist” began his acceptance speech with “I’m French” then also read from a small white piece of paper.

Thomas Langham, the producer of “The Artist”, who accepted the Best Musical/Comedy, referenced his late father, French cinema great Claude Berri.

“Midnight in Paris” won Best Screenplay and of course Woody Allen was not there to accept. So that’s all it got…

So all in all, it was a very French night at the Golden Globes, or l’Orbs d’Or.I think.

And I was actually glad that Meryl Streep won for Best Actress in a Drama. If only for her breaking that AwardsQuartetLockstep that has made the Oscars, etc. SO DULL and PREDICTABLE the past two years.  IOW, after this you can’t say that the same FOUR people keep winning over and over and over. And it renders that infamously EARLY EW cover INACCURATE! How embarrassing!

At least Meryl’s win was a surprise, especially to her. She forgot her glasses! We also saw some one, her husband, I guess, finding the glasses, and was trying to hand them to one celebrity after another as everyone tried to pass them to Meryl on the stage,and I guess said something unprintable, because a large portion of her speech, got bleeped! One would only expect that to happen to Ricky Gervais. For the record, I think Meryl’s glasses only made it up to David Fincher’s table.

Ricky, bless his heart, was back. But in a much milder form than last year. These awards shows can get so DULL that one really does welcome his irreverence. The most shocking thing he did was mentioning Melissa McCarthy’s “defecating in a sink” in “Bridesmaids” and then she had to come out immediately after to present an award, and she looked like she was in tears!

That pretty much kills her Oscar chances except for the fact that the Academy’s Voting Members had to have their nominations ballots in by Friday at 5pm. So IOW whatever happens on the Globes is sort of irrelevant as far as influencing the Oscar nominations are concerned. These awards could influence the AWARDS themselves which are more than a month and a half away! Oy vay!

The Globes also help to remind Oscarologists of just who got nominated for what in the Supporting categories, which are more confusing than ever this year. But the winners were the same. Christopher Plummer for “Beginners”, which happened right at the beginning of the show. And Octavia Spencer for “The Help” which also happened at the BFCA. Best Actress winner of that night Viola Davis did not repeat.

And I guess the Hollywood Foreign Press didn’t like “The Help” as much as the American critics group did. Since Spencer’s win was the only award “The Help” got.

Meryl really did give a glorious acceptance speech, however, and utterly charmed me into her corner.

And Harvey W. having both Michelle AND Meryl!! He looked VERY happy!But not as happy as Jean Dujardin looked!

Michelle was very demure and not Marilyn-esque at all, starting with
“I’m a Mom” and going on and on for most of her speech about her daughter (by the late Heath Ledger.) She didn’t mention Matilda by name, but it was moving nonetheless.

Williams only referenced Marilyn once, and of course, that is the clip all the news shows are using, saying that it was “a great honor to accept this award that Marilyn Monroe won sixty years ago.” Wow!

Martin Scorsese won Best Director something I don’t think he expected for “Hugo.” He also seemed unprepared and was just rattling off an INCREDIBLY long laundry list of names, but I’m glad he did get Thelma Schoonmaker, his legendary editor, in there at the end.

“The Descendants” got two awards George Clooney for Best Actor Drama, who seemed tired. And hence boring. And it also got “Best Picture” Drama. Clooney looked defeated as he had witnessed Jean Dujardin wowing the crowd only moments earlier.

Jean Dujardin looked soooo genuinely happy, it was infectious! It was genuine delight, like the movie “The Artist” is…

And it reminded the audience that if they loved the movie it was mainly Dujardin’s great performance that made it so funny and memorable and yes, moving. He made you CARE about George Valentine, and then when it won Best Picture he brought Uggie, the Jack Russell terrier that all but steals the movie out from under everyone, and Uggie upstaged EVERYone AGAIN, by jumping up and down and the audience let out a collective “Awwww!” and laughed and applauded.

Just as I think they will on Oscar night!

Golden Globe Predictions! OF COURSE! ANGELINA & MADONNA!

Oscar Goddess Sasha Stone over at www.awardsdaily.com

brings up the interesting question regarding Angelina Jolie’s nomination for Best Foreign Film for “In the Land of Blood and Honey.” Are they going to want to see her on that stage with a Golden Globe award in her hotness’ hands? OF COURSE THEY ARE! That picture will be on magazine covers all over the world, as will Madonna’s when she wins for “Best Song” for HER DIRECTORIAL DEBUT W/E. The song is called “Masterpiece.” The irony is gettin’ a little heavy in here.

“In the Land of Blood and Honey” is also Angelina’s directorial feature film  debut, and though not eligible for Best Foreign Film Oscar nomination, she could win here. Her film has been very well reviewed believe it or not.

And the rest? Sasha says it’s “like Tiger Woods playing minature golf.” Which is the B.E.S.T. description I’ve ever heard of the Globs…

The rest, since they’ve nominated Gorgeous George(Clooney) for FOUR Globs, they are certainly going to give him AT LEAST one. Which is mostly like for Best Actor, Drama, for “Descendants.” GLACK. I’d rather see Brad Pitt win for “Moneyball” in that category. And if he DOES, it’s because they’re thinking “How nice would it be for BOTH Brad and Angie to win Double Globs?” If they really are thinking in terms of Photo Ops (and when are they not?) then Brad will win. If Angie with a Glob is enough, then he won’t. And it’ll be George.

Best Picture Drama? Most likely “The Descendants”. Best Dramatic Actress? If Meryl wins here, and she might, they LIKE giving her gobs of Globs. I think she’s already won SIX, at the very least. And recently for “Adaptation,” “The Devil Wears Prada” and “Julie and Julia.”Then Meryl may very well win this and make this a real race.

If however, Viola Davis wins here, she’s gonna be VERY hard to beat for the Oscar for Best Actress. In this scenario, I find myself actually ROOTING for Meryl!

“The Help” is like a see-saw. If Viola wins, then perhaps Octavia won’t. Since, I’m told, the HFPA votes in the end with a “select blue ribbon committee,” which is a FEW a VERY FEW people, maybe only the President (this year a woman) making the decision. A woman would very likely give Streep the Best Actress award since “The Iron Lady” is a solid feminist film.

And since it’s the Hollywood FOREIGN Press, guess what they are going to pick for Best Picture Comedy/Musical ?OF COURSE, it’s “The Artist” and Jean Dujardin for Best Actor and Michelle Williams for Best Actress Comedy/Musical. This is what  prompted Sasha to say that it was like “Tiger Woods playing Minature Golf”!!! ROTLMAO!

Christopher Plummer will win Best Supporting Actor. We all KNOW this. Hope he varies his acceptance speeches.

It’s Supporting Actress where the real, and perhaps only surprise of the evening may come as this may be Berenice Bejo, who is Argentinian/French, for “The Artist.” And she could join her husband Michel Hazanaviscius as he is proably going to win Best Director for “The Artist.” THAT would be a great Photo Op! And that’s the way they roll.

Octavia Spencer won at the BFCA Thursday…but…her speech was less than stellar. And this is the very first award of the evening,unless it’s The Plummer Award.( Yes, it’s got his name on it.)

Woody Allen will get Best Original Screenplay, but since they and we all know he won’t show up (He NEVER does) I don’t think he’s EVER been to a Golden Globe, that will be all that “Midnight in Paris” ever gets. Which is too bad. But that’s how Woody rolls. Historically.

“The Artist” Wins Best Picture & Director at BFCA! Also Best SCORE & Costumes!!

I have to say that watching the Broadcast Film Critics Awards tonight was like reading a RRREALLY long book that you wanted to put down, but some how couldn’t, then SUDDENLY a surprise happy ending! And you just LOVE the way things turned out, but you still wish you didn’t have to read the whole book.

At the VERY end of the evening, Michel Hazanavicius won Best Director! Then, he did and made an utterly charming, funny speech, I knew “The Artist” was going to win Best Picture! And then it did! And as Michel called his entire table up on to the stage, the show ended.:( But “The Artist” did win more awards than any other film tonight four. BP, Director, Best SCORE(Take THAT! Kim Novak!) and Best Costumes!

I wish Jean Dujardin had won Best Actor instead of George Clooney, who seemed incredibly smug and entitled. He tried to out-do Viola Davis in terms of a hardscrabble background “I-Come-From-A-Sharecropping-Grandfather” & even more embarrassing “My-mother-used-to-make-my-clothes. “Ick.

It was the only award “The Descendants” won. Shailene Woodley lost TWICE. Once for Best Young Actor/Actress and then also for Supporting Actress, bad news for her Oscar nom. chance. The award for Best Young Actor  went to Thomas Horn, that little boy from “Extremely…” who called it by the Internet abbrev. of its’ initials ELAIC. ” E=Lake” or something like that. This was one of the few real surprises of the night.

I swear they all must’ve known Clooney was going to win because they seemed to keep cutting to him all evening. And he presented their humanitarian award to Sean Penn, who actually was IN Haiti. They spoke via satellite, and again Penn and Haiti completely upstaged and outclassed him.

George was acting like he had won already and was hosting a night club act somewhere.

And I’m a FAN! He’s been on my show! But no, George this was not your finest hour.

Doing really well earlier in the evening was Christopher Plummer who won as we alllll knew he would for “Beginners.” Every other joke he said was funny. But given that he’s 82, we all should look so good. And he seemed like he was in his 60s. Not his age at all.

They kept showing Michelle Williams in shadow. Uh-oh. Not good, I thought. And Meryl and Harvey Weinstein were seen smiling and joking. Meryl was enjoying herself more than I’d ever seen her do at one of these events in YEARS

“The Help” won BIG with three awards, behind “The Artist” which had four who besides Best Picture and Director won Best Costumes& Best Score. Those last two awards were given out BEFORE air-time.

“The Help” won Best Supp. Actress, Best Actress and Best Ensemble. Which allowed Octavia Spenser to make TWO speeches! So she had a “do-over” she called it. Which was funny.

She had the most strange look on her face when she won. It wasn’t happy. More chagrined. Like “Oh no! NOW what do I do?”  She totally didn’t expect, and neither did I. contrary to what Stu Vanairsdale was saying week after week on his Oscar Index. He always had Octavia at #1 all season long. Ditto Christopher Plummer for “Beginners.” But he had “The Artist” & Michel Hazanaviscius all season, too. So kudos to Stu! 4 1/2 out of 6 isn’t bad.

But he was wrong about Jean Dujardin winning 😦 It was annoying GEORGE.

And also only this week did Stu, on his great Oscar Index at www.movieline.com , have Meryl and Viola TYING for “Best Actress.”

And in a very, very red dress, Viola Davis DID give a very affecting speech. And she looked very shocked when she won.

But it wasn’t a tie. And let’s face, “The Help” is a film that the BFCA loved, they really loved. And “Iron Lady” is a critical disaster except for Meryl’s performance….But Meryl immediately stood up when Viola won. And applauded her enthusiastically. Classy. Something it seemed the rest of the room, except “The Help”s table, was not doing.

But nightmare of nightmares that EW cover of last week came true tonight! But will it continue? George & Viola. Will it continue? I wonder….

“Hugo” got nothing. But Martin Scorcese did recieve a quasi life-time achievement award called, strangely, “Film + Music.” I guess that’s the consolation prize of the evening.

“Bridesmaid” won for Best Comedy, then, an entire troup of MEN, ascended the stage and this was supposed to be the big break-through FEMALE movie and it was all men! Embarassing Embarrassing. And Judd Apatow, who was the producer, accepting and every other word had to be bleeped. Which I guess was funny, kinda.

And then he had to be reminded to thank the two female writers…Kristen Wiig and her writing partner. HE NEARLY FORGOT TO MENTION THEM! Was he more embarrassing than George Clooney? No, Clooney was more.

And they had two dreadful comic hosting this always-tacky, subpar presentation. Where is Ricky Gervais when you really need him?

Well, he’ll be there on Sunday, hosting the Golden Globes who I HOPE do not just repeat the four winners we had tonight. Clooney, Davis, Plummer & Spenser in a quartet lock-step, which is what has happened for the past two years.

So in a sense, we’ve already seen this year’s winners(I hope not) and so now the excitement goes out of the Oscar Balloon, and we’ll all be bored to death by the time the Oscars roll around.

Oh Golden Globes! I hope you do something different on Sunday and not just award the same four people!

Well, there’s the musical/comedy category which Jean Dujardin for Best Actor for “The Artist” should triumph in. And Michelle Williams will win Best Actress in a Musical or a Comedy. For sure. Harvey W. hasn’t finished working his magic yet.

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